Christine Hamilton considers how much has changed since the publication of her report on women in the Scottish arts sector three years ago, and what still needs to be done.
City Hall has launched an interactive online map capturing details of the capital’s cultural spaces - from theatres and studios to pubs and creative workspaces. Justine Simons explains how it will support local planners and creative workers.
Annually Funded Organisations are suffering “damage to long-term sustainability”, having slashed marketing budgets in the face of core funding cuts of almost 40% over three years.
The Creative Land Trust, backed by seed funding of £4m from City Hall and £2m from Arts Council England, will seek additional finance from property developers and ask London councils to safeguard affordable workspaces.
Arts organisations in the new Poole, Bournemouth and Christchurch city region have backed a new long-term enquiry into placing culture at the heart of local life.
The funder has also set out plans to create a consultative assembly of arts professionals, after hearing calls to communicate more effectively with the sector.
Claims by the Onward thinktank that young people should be steered away from “low value” degrees because they leave taxpayers to foot the bill for their studies are "simplistic", say university bosses.
It is right to celebrate those local authorities committed to funding culture, but long-term sustainability may depend on developing entirely new approaches, argues Gary Topp.
The budget allocation for 'Creative Scotland and other arts' includes £10m for Screen Scotland and a £6.6m boost for the regularly funded portfolio to compensate for reduced lottery income.
In real terms, institutions sponsored by DCMS have increased their income by over a quarter in the past decade, despite a 19% reduction in direct funding.
Justin Madders made the comments in relation to a tribunal hearing concerning the employment rights of art educators at the National Gallery, which could set a precedent for the public sector.
The tendency for people from higher social grades to be more likely to attend arts events is down to a mismatch between current funding priorities and the public’s taste, rather than any lack of demand, an evidence review suggests.
