DCMS’ new model for measuring culture’s economic value shows no understanding of how public policy has developed in recent decades, writes Anthony Sargent. Basing funding decisions on it would be "worse than bankrupt".
An ongoing and unspoken sense of crisis has driven those working in the performing arts to accept an intolerable range of behaviours as the norm. Emma Jayne Park questions the underlying structures supporting a system that requires endless resilience simply to survive.
If ACE only distributes the Government's support package to the organisations they have a current relationship with, then 80% of the sector will remain vulnerable and large scale venues as well as small will be at risk says Michael Ockwell.