The lack of traction and success for BME-led and disabled-led organisations deserves our attention, says Amanda Parker. Is there something for ACE to explore around who is judging ‘quality’?
Over the coming weeks, ArtsProfessional will be putting your questions to Arts Council England on its new draft ten-year strategy. Here ACE’s Deputy Chief Executive Simon Mellor introduces one of the strategy’s three key outcomes.
Funders are increasing their demands for data from arts organisations while only paying lip service to quality in their own statistics. It’s time to stop indulging them, says Jonathan Knott.
Artists, activists and cultural workers argue that trans activists' protests against arts programming are part of a legitimate struggle for equal rights.
Art Fund volunteer Jane Crease responds with incredulity to reports that the charity's financial support for its volunteer network can no longer be justified.
The casting of deaf actor Charlotte Arrowsmith in a current RSC production illustrates how committing to diversity does not mean being worthy or boring, says Jonathan Knott.
If we defend the arts based on evidence of positive outcomes in specific cases, we may find the very same logic turned against us, warns Carter Gillies.
It is right to celebrate those local authorities committed to funding culture, but long-term sustainability may depend on developing entirely new approaches, argues Gary Topp.
As Tate Modern's latest art installation starts to melt away, AP's Jonathan Knott reflects on how art can play a role in tackling environmental challenges.
Independent artists and producers are vulnerable to exploitation in a two-tier system characterised by precarious employment among the majority of cultural workers says Martin Cox, who challenges the status quo.
No one in need should put any faith in this toothless ‘regulator’, which has just spent two years squirming out of its responsibility to regulate, writes Christy Romer.
Stunting community and voluntary arts organisations by restricting access to capital funding will hurt the whole sector in the long term, warns Emma Harvey.
Representatives of Music Venue Trust and the Association of British Orchestras react to UK Music’s provocative call for opera funding to be redistributed.
What – or who – needs to change to achieve cultural democracy and how can we remove the tension between official and everyday culture, asks Martin Cox.
Editor’s comment: who decides what 'quality' is?
The lack of traction and success for BME-led and disabled-led organisations deserves our attention, says Amanda Parker. Is there something for ACE to explore around who is judging ‘quality’?