If ACE only distributes the Government's support package to the organisations they have a current relationship with, then 80% of the sector will remain vulnerable and large scale venues as well as small will be at risk says Michael Ockwell.
As governments start to draw up plans for supporting the post-virus cultural sector, the voices of those working in it are the most important. Liz Hill introduces a new series of articles.
Regeneration is all very well – but it is only through celebrating its authentic working class culture that the city can discover a beating heart and soul, says Lisa Meyer.
Setting targets helps, but wider strategies are needed to dispel the sense of novelty value that still surrounds female musicians. We need to normalise their presence on stage and behind the scenes, writes Kate Lowes.
A reluctance to self-reflect and a tendency to recruit in our own image are at the root of the sector’s failure to employ a workforce that reflects the wider working population, says Sara Whybrew.
Before praising the Culture Secretary for “responding so positively” to the financial crisis facing the cultural sector, Arts Council England would do well to take a step back and review its own evidence, says Liz Hill.
Five years after first highlighting discriminatory attitudes in ArtsProfessional, the Government’s Disability Champion for Arts and Culture Andrew Miller reflects on progress towards inclusion.
A high street renaissance?
Amanda Parker asks whether the arts can really save our high streets.