Jump to navigation
Whether in policy development, advocacy or nurturing talent, Executive Director of Clore Leadership Hilary Carty’s career is born of a passion for arts and culture.
The museum and heritage sector has always been collaborative. But, says Carolyn Young, the need for supporting each other to build resilience is now greater than ever.
We are witnessing a significant increase in diverse and highly ambitious partnerships between universities and the cultural sector. Evelyn Wilson and Emily Hopkins think it's something to shout about.
With long experience of working in Europe, Phillip Parr reminds us that, even in a post-Brexit world, there are still plenty of opportunities for artists. You just need to know where to look.
Sophie Handy shares her experience of a civic arts programme with a genuine grassroots approach to local development in the hands of community organisations, local movers and makers, doers and growers.
The first National Portfolio Organisation lost to the effects of the pandemic will close its doors next week, leaving a gap in support for writers, artists and activists.
Together for Museums harnessed the collective efforts of members, artists, donors and the public to come to the aid of the sector, writes Elinor Trigg.
After a lifetime spent working in the arts across the world, Judith Knight considers the dilemma of meeting the demands of the climate emergency while retaining international collaborations.
The Durham Commission on creative education has refocussed its priorities in light of Covid-19, saying success depends on bridging the digital divide.
A new cross-continent cultural leadership programme provides a unique opportunity for artists and creative professionals to collaborate. Sophina Jagot tells the story.
Caitlin Warfield writes that the future of culture and business in urban centres depends on their ability to work together.
Sam Wilkinson and Rosie Murdoch explain how a speed dating approach to partnerships led to artworks and outcomes beyond their expectations.
Fran Sanderson says building back better means looking beyond what – and who – we know in funding to demonstrate the irrepressible worth of human creativity.
The Audience Agency shares its experience of the pains and gains of collaboration and partnership working.
When we foster collaboration between the arts and research, we unlock untold benefits for professionals in both sectors, Christopher Smith writes.
Lord Alan Howarth reflects on a journey in arts and healthcare that has a promising future.
Erica Ramsay, Geraldine Montgomerie and Holly Dannhauser explore the challenges faced by a local arts in health network – and how they mirror the hurdles for this work nationally.
Making digital connections to create immersive work played to all our strengths, Sarah Ellis writes.
Europe’s largest ethnic minority is perhaps the most marginalised in the arts. Carl Woodward says addressing this means changing our ideas of access and inclusion in post-pandemic theatre.
Performers and providers often treat young children as a passive audience. Dr Angela Pickard says they can actively create and engage – and give feedback too.