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Just one in ten of the arts organisations participating in Nesta’s matched crowdfunding programme said the effort they put into the project was too great in relation to the benefits.
The research centre will aim to “pre-empt the needless wheel-spinning, data-churning and combative cross-talking that has characterised much of the past debate” about cultural value.
Three outer city venues around Leeds were found to have generated committed core audiences in areas perceived as barren.
A report commissioned by Arts Council England finds that two-thirds of the sector want the body to advocate its value to central government, but only a minority think it should be measuring quality.
Matt Hancock’s promotion to Health Secretary means the lead role at the Department for Digital, Culture, Media and Sport is now filled by the former Attorney General with a taste for James Bond films.
Now Co-Director of both a major arts centre in Madrid and BE FESTIVAL in Birmingham – roles he shares with his partner Isla Aguilar – Miguel Oyarzun reflects on his career to date.
A draft of the first Scottish culture strategy to be produced in a decade reveals plans for a new cultural leadership post within Government and new ways of funding the arts.
Golant Media Ventures will merge with The Audience Agency’s enterprise arm as the sector support organisation strengthens its focus on technology.
Keen to maintain a connection between Wales and Germany after Brexit, British Council Wales organised a week-long performing arts festival in Dresden. Rebecca Gould tells the story.
As around 40 arts organisations are told that their agreements with Southbank Centre are being terminated, ACE threatens to withhold funding from NPOs that fail to share their data.
Five London venues have jointly hosted a one-woman show – and then pooled the box office takings. Kaya Stanley-Money explains how it worked.
Creative organisations in East London have joined forces to offer local young people the chance to develop employment skills in paid internships. Julia Hayes tells the story.
A new policy paper calls for continued freedom of movement, and claims music helps promote the values that unite Europeans, such as equality.
A public consultation to inform the national funder’s upcoming ten-year strategy calls for action on the environment and reform to ensure arts careers remain sustainable.
How can we make the arts an everyday experience for everyone? Michael Eades explains why he believes in the power of grassroots arts.
Nick Wesson explains how working with a disabled-led theatre company helped ARC Stockton achieve long-term sustainable change.
Collaborating with international partners can be rewarding, but how do you start? Emma Crook shares her expertise, from making contact and overcoming barriers to getting support.
Supported by Arts Council England for an initial three years, the network will be led by Battersea Arts Centre with a focus “away from London”.
How do we get to the point where we are truly collaborating? Debbie Richards describes a project that sought the benefits of collaboration between fundraisers and marketers.
Working with a children’s hospice has allowed Birmingham Hippodrome to make its productions accessible to families who might otherwise miss out, and it has learnt a lot along the way, says Nichole Cooper.