Digital creativity is redefining cultural content, providing new ways for audiences to connect and participate. The Space’s Harm…

Pricing strategy continues to challenge venues trying to raise income without losing the trust and diversity of their audiences, a…

Do we have a problem with engaging audiences? Or do we just think we do? Áine McCarron from the Northern Ireland research and eva…

In the immediate months after the government’s landmark artificial intelligence (AI) law received royal assent, and as computer-ge…

In the first in our series of articles focusing on charitable giving, Louise Magill of the Oglesby Charitable Trust makes the case…

It’s tempting to treat digital infrastructure as purely technical, to be handled by specialists. But it’s deeply strategic, wr…

Find a cultural organisation with a building and more than likely you’ll find a ‘hire us’ call to action on their website, w…

Aberdeen’s city archives, museums and galleries welcomed 11763 more admissions between June 2024 and May this year than the same p…

Fringe Society leader Tony Lankester has warned it is wrong to see Edinburgh’s incoming visitor levy as “the panacea” to an…

Contemporary and experimental music organisations across the UK are to receive a long-term financial boost as part of a £165,000…

Dame Caroline Dinenage has called for live comedy to be recognised as a distinct and genuine artform, in a letter to Culture Minis…

The creative director of Edinburgh International Festival has said the annual showcase of theatre, dance, and music from around th…

West Yorkshire authorities have attributed a 3% increase on visitor numbers in the region to events taking place as part of Bradfo…

Reflecting on a recent panel discussion, David Reece of Baker Richards explores the future of theatre and its role in a rapidly ch…

Audience development is 35 this year. With standstill funding and cultural devolution on the horizon, The Audience Agency’s Anne…

The Thackray Museum of Medicine in Leeds is running a scheme offering a choice of pricing options. The museum, which is the UK’s…

While South Asian dance company Akademi values traditional performance spaces, it increasingly brings dance into everyday settings…

Tyler Stoops, CEO of The Grange Festival, is on a mission to develop its audience, creating a new model for destination arts exper…

David Reece and Sarah Chambers discuss why segmentation is most powerful when it’s a reflective organisational practice – less…

The government has pledged to make the arts more accessible to young people in recognition of the fact that creative education is…