Working practices that “wouldn't be tolerated in any other industry” have become the norm across the sector, with employees and freelances expected to work for nothing to enable their artist output to be delivered.
Independent artists and producers are vulnerable to exploitation in a two-tier system characterised by precarious employment among the majority of cultural workers says Martin Cox, who challenges the status quo.
From this year, English and Welsh charities will have to provide the Charity Commission with a breakdown of staff remuneration by income band, as well as the total income and benefits of their highest paid employee.
To improve the diversity of the workforce, arts organisations need to employ more young people from low-income backgrounds. Kate Danielson shares tips for adjusting recruitment practices to do just that.
To work in a museum you need the right academic qualifications and the resources to volunteer, but new initiatives in Scotland are starting to open up the sector to young people from more diverse backgrounds, says Catherine Cartmell.