Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
The city region authority is offering a prize of £800 for a “simple but visually impactful” design to be used across print and online promotional materials for the £200k a year initiative.
How can Arts Council England do more to include the voices of people with experience of the criminal justice system? The National Criminal Justice Arts Alliance talks to artist and former prisoner Erika Flowers.
A major new report finds evidence that sectors like the arts trap young people “in cycles of unpaid internships without significant benefits to their career”.
Independent artists and producers are vulnerable to exploitation in a two-tier system characterised by precarious employment among the majority of cultural workers says Martin Cox, who challenges the status quo.
The arts have helped scientists gain a better understanding of how it actually feels like to live with dementia. Julian West shares his experience of a research project based on ‘co-creativity’.
Players in Stratford's Orchestra of the Swan are trained by charity Mindsong to provide music sessions in care homes. Sue Pope explains how the programme supports wellbeing.
Wales takes a lead as arts professionals across all the countries of the UK are urged to take part in research that will shed light on low pay and earnings in the cultural sector.
It can be brutal to have your work rejected. Tom Harvey has devised a ‘Humane Commissioning Manifesto’ to fight back against insensitive and damaging practices.
Ovalhouse’s FiRST BiTES programme ensures that it takes the risks necessary for creating diverse and experimental theatre, explains Owen Calvert-Lyons.
As well as being a studio space for independent dancers and choreographers, Glasgow's The Work Room is also an empowering artist-led support network, says Anita Clark.
Effectively monetising creative work ensures that artists can continue to do what they love. Ros Gilman offers advice on pricing, marketing and legal issues.
Former Watershed Chief Executive Dick Penny stressed he is “more excited than ever” about working in Bristol as he leaves his role of 20 years and heads a new Watershed venture aimed at creating growth in the city.
With artist workspaces under threat from funding cuts, increases in business rates and property development schemes, a new initiative aims to extend their lifespan. Karen Watson explains.
Two new reports say that the festivals also generate international recognition for Scotland’s arts scene and provide new opportunities for Scottish creatives.
