Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
The University of Lincoln's School of Fine and Performing Arts is thought to be unique in employing a professional producer to support students' creative work. Rachel Baynton explains how her role bridges the gap between academia and artistic practice.
With a budget fast approaching, Arts Council England’s Chief Executive Darren Henley calls on the new Government to back up its warm words for the arts with financial support.
An undersized musician population, a lack of artist support and performance space pressures: why live music in the Midlands is falling behind the rest of the UK.
Over the coming weeks, ArtsProfessional will be putting your questions to Arts Council England on its new draft ten-year strategy. Here ACE’s Deputy Chief Executive Simon Mellor introduces one of the strategy’s three key outcomes.
Many British musicians fear that Brexit will reduce their ability to travel easily and cheaply around Europe for work. Francesca Treadaway calls for action to protect their livelihoods.
The outdoor arts sector has experienced growth over the last decade, but could a no-deal Brexit put the brakes on this? Maggie Clarke and Irene Segura share their concerns.
The LightNight festival initially aimed to showcase Liverpool's artists to outsiders - but it is now more concerned with galvanising the local cultural scene, writes Laura Marie Brown.
Why do so many artists not include a fee for their own time when they apply for funding? Lilli Geissendorfer explains how Jerwood Arts is challenging a pervasive low-pay culture.
Kirklees in West Yorkshire has a vision for local development rooted firmly in its historic links to the textile and music industries, says Kath Davies.
A perpetual, community-led art project is transforming neighbourhoods in Exeter, street by street. JoJo Spinks explains why handing control of commissioning to local people has been crucial to its success.
A series of informal surgeries for creative artists in Salford uncovered widespread disillusionment, says Steve Slater - as well as suggesting new ways foward.
