Home office, home crowd

26 May 2022

Has working from home moved the goal posts for local arts attendance? Oliver Mantell has been considering the evidence.

‘Make it SO’

17 May 2022

In the last in our series profiling the shortlisted candidates for City of Culture 2025, Claire Whitaker says Southampton has been connecting the UK with people across the globe for thousands of years.

‘We rise together’

Children celebrate Wrexham's City of Culture 2025 bid
04 May 2022

In the third of our series profiling the shortlisted candidates for City of Culture 2025, Ian Bancroft reveals Wrexham as “one of the last punk places in the UK”.

‘Our Time, Our Place’

Young people from Bradford send off for the district's official UK City of Culture 2025 bid
19 Apr 2022

In the second in our series profiling the shortlisted candidates for City of Culture 2025, Shanaz Gulzar shares how Bradford's young people shaped a bid that awakened a sleeping giant of a city.

‘The past we inherit, the future we build’

Durham miners' gala
06 Apr 2022

In the first in a series profiling the shortlisted candidates for UK City of Culture 2025, Alison Clark introduces the county whose bid is inspired by the Durham Miners Association.

Stronger together

30 Mar 2022

Can the cultural sector embrace collaboration as an essential tool to dismantle racism? In launching their new campaign, Arts Against Racism, Inc Arts thinks it must.
 

What does your pricing say about you?

09 Mar 2022

Pricing is an overlooked form of communication. As soon as a price is placed on something, it sends out a message about the product, says David Reece

The real Big Bang

Poet Scarlett Ward leads a poetry workshop in conjunction with About Us and UNBOXED
22 Feb 2022

About Us* is a dazzling free show combining projection mapping, animation, music and poetry. At its heart, says Maggie Aderin-Pocock, is a simple message: we are all connected. 

More manifestation, less manifesto

16 Feb 2022

Promises are powerful formulations reflecting genuine intentions. But, Richard Watts argues, they must be accompanied by concrete actions.

Ethical trouble at the top

02 Feb 2022

Day-to-day news is littered with questions over ethics. We care deeply about rights and wrongs. But Michelle Wright asks, do the arts care more than other sectors? 

How might culture engineer levelling up? 

Light installation
25 Jan 2022

DCMS is calling for evidence for its latest inquiry on the levelling up agenda. Jason Jones-Hall has been analysing initial data from place-based funding streams and shares his findings. 

Emotional resilience is the key skill for 2022

Community and peer support can be essential to a resilient team
19 Jan 2022

While many arts and culture organisations are concerned about their financial viability, emotional resilience will also be essential to seeing out the pandemic, argues Robin Cantrill-Fenwick.

Not British, not welcome

Two actors perform on stage, smiling taking a selfie
11 Jan 2022

While we were distracted by news of politicians partying during lockdown, last month a Bill was passed that changes rights to UK citizenship. Amanda Parker examines how it threatens all our creative lives.

Keeping the torch of international cultural co-operation burning 

07 Dec 2021

Jonathan Goodacre considers how we can preserve the global ideas exchange that the arts and culture community benefits from so richly.

Welcome to UNBOXED: Creativity in the UK

people looking at an art installation
21 Oct 2021

What happens when creative minds from different sectors and disciplines come together to imagine and design bold, large-scale events to reach millions of people worldwide? Martin Green reveals what’s in store for 2022.

Arts Council pledges Grantium improvements

27 May 2022

Testing of upgrades to the much-maligned Grantium application system are underway, with a launch date for an improved version to be announced soon.

Mayor of London teams up with Creative UK to support freelancers

26 May 2022

The Mayor of London’s Culture Team and Creative UK are joining forces in an effort to tackle "systemic inequalities" facing freelancers in creative industries. 

The partnership will hold an event in July where freelancers and organisations working across London’s creative economy will be given the opportunity to test, prioritise and develop ideas for a more sustainable freelance model for creatives.

The guidance and ideas that emerge from the online event will be taken forward and shaped into a robust business case, as part of City Hall's Redesigning Freelancing programme.

Creative UK said the fragility of the freelance model, which the creative industries rely on heavily, was revealed during the pandemic when many parts of the creative industries experienced a sudden, large drop in their volume of work, with freelancers left unsupported.

Evy Cauldwell French, Development & Partnerships Manager for Impact & Change at Creative UK, said: “Creative freelancers working throughout London continue to face an unequal playing field, with many sadly choosing to leave creative occupations due to unsustainable practices. 

"We are pleased to announce our partnership with the Mayor of London’s Culture Team, with whom we are empowering organisations and freelancers working across London’s creative economy to create a more sustainable future for our growing workforce.”

Edinburgh Fringe producers get £1.3m resilience funding

26 May 2022

Edinburgh Festival Fringe producers have received financial support to help them recover and remain resilient following the Covid-19 pandemic. 

A total of 13 Edinburgh Festival Fringe producers have been awarded a share of £1.275m from the Fringe 2022 Resilience Fund, financed by the Scottish Government and distributed by Edinburgh Festival Fringe Society.

Venues in receipt of the money are Assembly, BlundaBus, Gilded Balloon, Greenside, Just The Tonic, Laughing Horse, Monkey Barrell Comedy, Pleasance, Scottish Comedy Festival, Summerhall, theSpaceUK, Underbelly and ZOO.

A further £305k has been allocated to support the ongoing resilience of the Fringe Society, which includes £55k to support the delivery of street events during August.

Shona McCarthy, Chief Executive of Edinburgh Festival Fringe Society, said: “It’s fair to say that the last few years have been the most challenging in our festival’s history. 

"Now, as we prepare to enter our 75th anniversary year, creatives across the Fringe landscape are working hard to ensure that this incredible festival not only survives, but continues to work hard to be the best version of itself.

“This support from Scottish Government is absolutely vital in helping us to achieve that goal: allowing producers and creatives across the landscape to not only recover from the devastating effects of the pandemic, but to offer enhanced support to artists, workers and volunteers; to continue to programme creative and innovative work; to improve accessibility; to tackle affordability and to ensure that this festival remains true to its founding principles of openness and inclusivity.”

What is market research?

26 May 2022

There are many misconceptions about market research and who is or isn’t qualified to undertake it. Robin Cantrill-Fenwick unravels its mysteries.

A radical re-think of R&D policy

26 May 2022

How do art and artists contribute to innovation? Hasan Bakhshi and David Maggs argue that the typical ways of inquiring into the world are in desperate need of revitalisation.

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