Very few theatres were built with today's sustainability standards in mind. The sector needs to face up to the financial and environmental costs of running old buildings, warns Tom Stickland.
The Creative Land Trust, backed by seed funding of £4m from City Hall and £2m from Arts Council England, will seek additional finance from property developers and ask London councils to safeguard affordable workspaces.
Once forced to migrate through lack of opportunities, artists in the Scottish Highlands are now coming together to experiment and collaborate in the region's first creative hub, writes Audrey Carlin.
It is right to celebrate those local authorities committed to funding culture, but long-term sustainability may depend on developing entirely new approaches, argues Gary Topp.
Pulling a community venue back from the brink needs vision, commitment and cost-effective solutions for tackling commercial challenges. The Royal Hippodrome Theatre has harnessed all three, writes Claire Boot.
The news that Oldham Council has decided to drop its support for a new Oldham Coliseum Theatre comes as the theatre’s long-serving Artistic Director announces he is leaving this month to go freelance.
Jo Marsh and Sarah Featherstone explain how relocating Wrexham’s art gallery to a market and parking complex has helped make the arts a part of people’s everyday lives.
Dover’s contribution to the Armistice Centenary in November will be a collaborative community production about the arrival of the body of the ‘Unknown Warrior’. Andrew Dawson tells the story.
Michelle Walker said she welcomed ongoing dialogue with residents as she takes on responsibility for culture in a project that will see the creation of 20,000 new homes.
The strategy, being developed in the wake of the city’s failed City of Culture bid, will renew a commitment to the arts, including a greater emphasis on social prescribing.
In an evidence session examining the success of Hull 2017, the DCMS Committee has heard differing views on how the City of Culture scheme should evolve.
No one in need should put any faith in this toothless ‘regulator’, which has just spent two years squirming out of its responsibility to regulate, writes Christy Romer.
Open House arts festival took a risk when it moved from Belfast to Bangor in Northern Ireland, but one that is paying off now that it’s making a difference again. Colette Fahy tells the story.
