Despite new requirements coming into force more than a year ago, many arts organisations remain woefully underprepared. Mary-Alice Stack offers some guidance.
Big brands and advertisers are cottoning on to the marketing potential of street art. What does that mean for the artists? Timothy Watkins unpacks the legal issues.
As ad hoc agreements are hastily put in place to enable performances to be streamed to audiences at home, AP has discovered an ecosystem that lacks a transparent process for creatives to claim repeat fees for recordings of their work now going online.
The Primary Authority scheme can help reassure arts organisations they are meeting legal requirements on health and safety, trading standards and fire regulations, explains Rob Belton.
The idea of managing intellectual property fills many people with not just uncertainty but dread - which is why the Boosting Resilience programme recently explored a three-stage approach to make it less daunting.
Justin Madders made the comments in relation to a tribunal hearing concerning the employment rights of art educators at the National Gallery, which could set a precedent for the public sector.
Many arts organisations need to think differently about their intellectual property to generate much-needed revenue. Luke McDonagh demystifies copyright, trademarks and other common barriers to exploiting IP.
Asking your customers to ‘re-consent’ to contact from you could threaten your relationship, but Michael Nabarro suggests an alternative approach to GDPR compliance based on ‘Legitimate Interests’.
Charities in England and Wales join Scotland in being able to convert directly to a charitable incorporated organisation. Mahmood Reza explains the different charity structures and the new process.
Complying with the new data protection regulation may seem like an impossible task, but it’s one we all have to get to grips with. Leo Sharrock shares some practical steps to take now.
