Latest News
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Arts Council of Wales (ACW) has appointed Andrew Ogun as Agent for Change – a new role that will...
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Vaccine certification would initially prevent more people attending venues than it would persuade,... -
The maxiumum penalty for criminal damage to public monuments has been raised from three months' to...
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A consortium of leading arts organisations aims to connect a new generation of English artists with...
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Promises that the original production of Phantom of the Opera would return after Covid restrictions...
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Cultural education charity Art UK and Bloomberg Philanthropies have embarked on a multi-year...
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Arts Council England (ACE) will create a list of "priority places" for future investment and... -
Government-backed insurance for live events could save up to £1.1bn, according to insurance experts... -
Affordable artists spaces could be demolished and replaced by 34 apartments under plans lodged with...
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A temporary 400-seat open-air theatre will open in Manchester next month on an 80,000 square foot...
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Black Cultural Archives (BCA) has quit the Government's Windrush working group over the findings of... -
Three temporary outdoor pavilions will be key to performers', artists' and audiences' safe return...
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Research is being launched to understand how the cultural sector can be embedded in high streets...
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Prince Philip has been honoured as "an enthusiastic and innovative patron" of arts and culture... -
The first-of-its-kind survey will provide data to help increase diversity in the music industry and...
Latest Features
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Employers in arts, culture and heritage face hard choices about what to invest in and how to effectively plan for the long term, writes Michelle Wright.
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Amanda Huxtable reflects on how racial trauma has shaped leadership within the cultural sector, taking on the responsibility for change that institutions have long avoided.
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James Clutton says supporters have stood by cultural organisations through the toughest of times. They deserve transparency, care and as much opportunity to engage as possible.
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Ryan Dawson Laight had to costume virtual productions from recycled garments, self-printed fabric and actors’ own wardrobes. Here he shares how he’s adapted and flexed his skills for these testing times.
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A new cross-continent cultural leadership programme provides a unique opportunity for artists and creative professionals to collaborate. Sophina Jagot tells the story.
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Cultural organisations can play a key role in creating thriving places for people to live, work and visit, but only if they reach out to creative partners beyond the local ‘culture club’. Penny Mills, Anne Torreggiani and Patrick Towell explain how.
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