Latest News
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The arts and culture sector added £10.8bn to the economy in 2016 – an increase of £390m on the year...
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Some of the largest museums and galleries in England are to gain access to a new tool to help them... -
University degree courses in arts subjects are among the least ethnically diverse in the country,...1 -
Investments in cultural projects and infrastructure will be essential to reviving struggling... -
Local government funding for culture is a lower budget priority in the UK than in almost any other... -
The Court of Appeal has rejected the Royal Opera House’s appeal against a landmark case that found...
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Opera North is leading a consortium of arts and community teams in Leeds to build 'Arts Together',...
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Edinburgh Council has proposed a rent rise from £16k to £47k for Stills photography centre. Stills...
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Germany has returned indigenous artefacts to their aboriginal heirs in the country’s largest...
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The 100 top executives at major arts institutions in England and Wales earn pay packages totalling... -
Responding to a public letter from a long-time opera lover who said he was being priced out of...
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Flames broke out at around 6.30pm on Monday evening, causing the cathedral spire to fall and...
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Lucy Noble, the venue’s artistic and commercial director, says young people should have the chance...
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Perth and Kinross Council has underlined its concerns about the sustainability of Horsecross as...
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Theatre companies Terra Nova and Bruiser are among the five arts organisations dropped from Arts...
Latest Features
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Mobile ticketing is convenient for the customer and can open up new business opportunities. Innovations in the US signal a way forward for the UK, suggests James McClure.
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All too often the cultural sector holds back from conversations about mental ill-health. Colin Beesting shares his manifesto for a more proactive approach.
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So you think freelancing could be for you, but are you clear about the importance of networking, fee-setting and admin? Lucy Tomlinson offers some guidance on what to expect.
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The Conservatoire in Blackheath recently arranged a finance plan with Triodos Bank to fund its future activities. Phillip Bate explains how the bank’s ethos and belief in the cultural sector made it happen.
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Nick Anderson, Programme Producer at The Sick of the Fringe, looks back on the people who have inspired and shaped his career.
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Anne Torreggiani explains why participating in an EU-funded Erasmus programme has prompted her to re-evaluate the ability of interns to act as a source of new ideas and fresh thinking.
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As composition becomes increasingly sidelined in school music, Natalie Watson discusses a mentoring scheme providing professional support to promising students.
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Katy Sadler explains how a festival in one of Birmingham’s busiest thoroughfares enables craft and design graduates to test their ideas in a supportive environment.
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