Latest News
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Paloma Faith, Billy Bragg and Annie Lennox are among 85 musicians and music industry workers who...
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Dudley Council has given the green light to plans to turn Dudley Hippodrome, derelict since 2009,...
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The Grand Palais, The Musée des Arts Décoratifs and photography gallery Jeu de Paume offered...
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The venue says 2019’s programme will highlight the richness and depth of Welsh talent, following...
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A survey by the Chartered Institute of Public Finance and Accountancy (Cipfa) finds that 130 public...
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Contractors have discovered a range of issues with the building, including rotted timber and...
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Liverpool Everyman and Playhouse has dropped out of Arts Council England (ACE)’s National Portfolio... -
Further investment from Creative Scotland and BBC Arts into the Edinburgh venue will support an...
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A senior Government Minister has for the first time pointed to the controversial EBacc education... -
The gender pay gap in the arts is showing no signs of abating, with women being only half as likely... -
Responsibility for distributing lottery funding should be taken away from the UK’s arts councils... -
35 million people in the UK were reached during five years of cultural activity to mark the... -
Traditional measures of growth are unsuitable for the creative industries – widely recognised as... -
A new partnership led by the University of Leeds and music therapy charity Nordoff Robbins has been... -
Burnley Empire Theatre, the only purpose-built Victorian theatre in East Lancashire, and which has...
Latest Features
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What is the importance of creativity for young children? Ruth Churchill Dower explores the wide-ranging and ultimately limitless benefits of arts activity.
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Why do some in the sector feel that babies and toddlers have little to offer as audiences or participants? On the contrary, says Charlotte Arculus, working with this group is never boring.
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A non-verbal approach to music-making for the very youngest children offers a comfortable environment for new parents experiencing anxiety, as well as a joyful time for babies, says Hannah Baker.
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Stratford Circus Arts Centre, based in an area of London with high levels of child poverty, has come to realise that providing low-cost hot meals can help it engage with local families. Tania Wilmer tells the story.
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The opportunities for very young children to experience the arts in rural Devon are few, as well as inconvenient and expensive. How can less culturally engaged families enjoy live performances, asks Amy Bere.
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Local authority cuts to the arts may be widely reported, but some councils are investing serious money in cultural development, says Andrew Dixon.
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Making a product or service scarce or exclusive has become an effective way to attract customers in other sectors. Tim Baker explores how it might work in the arts.
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Venues need a better understanding of customer spending habits for purchases like pre-show meals and interval drinks. James McClure explains how a ticketing solution is providing a comprehensive view.
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