Latest News
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French telecoms entrepreneur Patrick Drahi has struck a deal to acquire the auction house for US$3....
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Arts Council of Wales (ACW) has pledged to undertake a “root and branch review” of its current... -
Government officials are encouraging the Hallé Orchestra to resubmit plans for a school in Stoke-on...
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An increasing reliance on sponsors and ticket sales has “put pressure on the [festival] team to...
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A new £2.5m cultural research hub is to be based at the University of Leeds, AP can exclusively... -
Manchester Arena claims it could lose business if the city council approves a second 20,000-seat...
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Artistic Director Rufus Norris admitted he had taken his “eye off the ball” in April when hundreds...
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Good causes like the arts received £39.6m less from The National Lottery in the last financial year... -
A programme for inventing music technologies to support disabled artists relaunched this week,... -
The Eastern Angles Theatre Company has launched a campaign to fundraise £50,000 for a new site...
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Work will begin in August on a new café and rehearsal space at Omnibus Theatre. Artistic Director...
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Organisers warn the city council’s “salami slicing” strategy could cause the event’s decline or...
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The Government should formally assess the public value created by all large culture and heritage... -
Protests are planned for Widdecombe’s first show since her comments on gay conversion therapy...
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The inaugural Largo Arts Week will star comedian Phil Jupitus and renowned sculptor David Mach....
Latest Features
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Funders are increasing their demands for data from arts organisations while only paying lip service to quality in their own statistics. It’s time to stop indulging them, says Jonathan Knott.
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The place in which a cultural organisation finds itself can determine how it thrives, survives or even dies, but many organisations are now taking the lead in helping places reinvent themselves. Anne Torreggiani explores the rise of place-shaping.
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Kirklees in West Yorkshire has a vision for local development rooted firmly in its historic links to the textile and music industries, says Kath Davies.
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Jonathan Gross and Nick Wilson reflect on their recent research into cultural ecology and suggest what the future of progressive place-based policy and practice could look like.
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A perpetual, community-led art project is transforming neighbourhoods in Exeter, street by street. JoJo Spinks explains why handing control of commissioning to local people has been crucial to its success.
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The global finance hub is forging a new identity through risk-taking alliances between its commercial, public and cultural sectors, writes Tim Jones.
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The economic value of our creative industries is clear. But it's not so clear that they're a priority for candidates wanting to become the UK's next Prime Minister, says Claudia Burger.
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