Feature

Conventional monitoring and evaluation isn’t always helpful in community settings, but with some creative thinking, it can become a valuable part of the artistic process. Sarah Cassidy explains how a new technique can transform the outcomes.

Until the arts sector defines its expectations of the learning needed by employees, even aspirational and potentially career-enhancing training will be of limited value to either the individual or institution, says Michelle Wright.

Despite the blow the lockdown has dealt to its plans, dreams, ambitions and finances, Tomorrow’s Warriors are managing to think positively about the future. Janine Irons explains how.

A collective of Black and Asian artists, curators and educators explains how the impenetrable glass ceiling keeps them on the margins – and why public statements promising reviews, reports and diversity panels cut no ice.

Communicating re-opening will be much, much harder than closure, says Kate Fielding-Cox, who proposes four key principles that every venue should bear in mind when preparing to welcome the public back.