Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
Theatrical productions typically give priority either to the playwright’s text or the director's interpretation. Eve Leigh challenges theatre to move on from these hierarchical models and open up new space for more trusting and collaborative work.
The over-hyping of projects, initiatives and schemes really grates at a time when creative education in schools is being systematically sidelined. We need to realise what we are losing before it's too late, says Pauline Tambling.