Mobile ticketing is convenient for the customer and can open up new business opportunities. Innovations in the US signal a way forward for the UK, suggests James McClure.
Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
All too often the cultural sector holds back from conversations about mental ill-health. Colin Beesting shares his manifesto for a more proactive approach.
So you think freelancing could be for you, but are you clear about the importance of networking, fee-setting and admin? Lucy Tomlinson offers some guidance on what to expect.
The Conservatoire in Blackheath recently arranged a finance plan with Triodos Bank to fund its future activities. Phillip Bate explains how the bank’s ethos and belief in the cultural sector made it happen.
Anne Torreggiani explains why participating in an EU-funded Erasmus programme has prompted her to re-evaluate the ability of interns to act as a source of new ideas and fresh thinking.
In the wake of budget cuts, local arts groups in Birmingham have come together to help shape a new democratic approach to culture in the city, says Tom Jones.
How can we attract a diverse workforce into the arts sector? Robert West says arts organisations can start by dismantling the barriers they are putting up themselves.
City Hall has launched an interactive online map capturing details of the capital’s cultural spaces - from theatres and studios to pubs and creative workspaces. Justine Simons explains how it will support local planners and creative workers.
What makes socially engaged and participatory arts projects successful? Elizabeth Lynch and Miriam Nelken talked to artists, commissioners and participants to find out.
Charlotte Arrowsmith, who is performing in two plays with the RSC this summer, explains the challenges and opportunities involved when deaf actors are cast in mainstream productions.
A recent survey found that four in five Londoners would contribute at least £2 towards public art in their local area. Marine Tanguy and Vishal Kumar explore the potential role of citizens in new commissions.
As low- or no-pay practices continue to dominate the arts and cultural sector, some enlightened employers are starting to reap the benefits of offering a fairer deal to all staff. Jonathan Knott reflects on the findings of the ArtsPay 2018 survey – and the efforts of those challenging the status quo.
Financial insecurity plagues the working lives of cultural workers, with the self-employed and freelancers worst affected. But solutions are to be found, so it’s time for the UK to take decisive action, says Clara Paillard.
Charlotte Bence looks back on how the trade union Equity has fought low paid and unpaid work in the entertainment industries since 2014 – and its plans to extend its campaign in the future.
