While some in the UK may believe we have little to learn from European collaboration, Anne Torreggiani and Jonathan Goodacre have found cross-border networks to be a force for innovation and change.
Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
The prospect of leaving the EU inevitably creates uncertainties – but a silver lining is a greater understanding of the value of international collaboration, says Christoph Jankowski.
To unlock the full value of culture, Arts Council England needs to support villages, towns and cities across the country to work together more closely, says the funder's Deputy Chief Executive Simon Mellor.
The Contact Young Curators programme gave Wez Thistlethwaite the opportunity to re-engage his creative muscles by co-curating a world premiere at this year’s Manchester International Festival.
Many British musicians fear that Brexit will reduce their ability to travel easily and cheaply around Europe for work. Francesca Treadaway calls for action to protect their livelihoods.
With metropolitan bias prevailing at both a national and European level, the best hope for rural arts organisations lies in collaboration, argues Ralph Lister.
The outdoor arts sector has experienced growth over the last decade, but could a no-deal Brexit put the brakes on this? Maggie Clarke and Irene Segura share their concerns.
As the Commission gets ready to publish its recommendations on creativity and education, Joe Hallgarten puts forward four ideas he'd like to see included.
Visitor attractions are embracing innovative approaches to maximising sales and income. Debbie Richards explains the approach recently introduced at The Roman Baths, a leading heritage attraction.
Teams can fall into working in isolation, rather than together for a common purpose, in organisations of any size. Nick Stevenson suggests processes and tools to help avoid this happening.
Are we serious enough about how we’re feeling and coping at work – from our life–work balance to our ability to maximise our creativity? Carol Jones addresses some common issues.
