Latest News
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Arts Council England’s (ACE) Local Cultural Education Partnerships (LCEPs) are still struggling to... -
Christopher Hoare, a former IT director for classical music management agency HarrisonParrott,...
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Arts Council England (ACE) is seeking to “increase international exchange” through a new series of... -
A community arts group in London is refusing to remove a beach hut it built, despite the local...
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A Liverpool community group is spearheading a campaign to restore The Garston Empire to its former...
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A decline in the number of UK students sitting A Levels in creative subjects is accelerating, an... -
Luke Tryl, ex-Director of the New Schools Network, will not longer act as an advisor to Culture...
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A short survey from the department is asking creative businesses if they are aware of how a no-deal...
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English museums and art galleries have reported a 6% increase in attendance in 2018, bouncing back... -
A 9-year-old German girl will not be able to join Berlin's oldest cultural institution, its all...
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Simon Armitage says he has no plans to mark Britain's upcoming exit from the European Union with a...
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Arts Council England (ACE) may have to cut the level of funding it has already agreed to provide... -
Londondance.com has closed after 18 years in operation. A statement on the website says "the dance...
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Prominent English theatres say they are increasingly unable to reach state school pupils as arts...1 -
Theatres, orchestras, museums and galleries were granted tax relief worth £98m in the last...
Latest Features
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By working in partnership and refusing to patronise audiences, Lyth Arts Centre in Caithness has attracted record numbers, says Charlotte Mountford.
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The cultural sector needs to follow Samuel Beckett’s words and “fail again…fail better”, argues Arts Council England’s Simon Mellor.
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Arti Prashar was told to never create a job that no one else could fill. She looks back on 13 years as CEO of Spare Tyre Theatre Company.
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The prospect of leaving the EU inevitably creates uncertainties – but a silver lining is a greater understanding of the value of international collaboration, says Christoph Jankowski.
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The lack of traction and success for BME-led and disabled-led organisations deserves our attention, says Amanda Parker. Is there something for ACE to explore around who is judging ‘quality’?
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From freelance marketing to running his own production company, Jake Orr has always been willing to take a leap into the unknown.
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To unlock the full value of culture, Arts Council England needs to support villages, towns and cities across the country to work together more closely, says the funder's Deputy Chief Executive Simon Mellor.
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