Latest News
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The Musicians' Union has written to Education Secretary Gillian Keegan calling for urgent financial...
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Just over one in five applicants to Arts Council England’s (ACE) seventeenth Developing Your... -
A 450-seat theatre in a village in Hampshire has been told it must cease performances after it...
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Coventry Council is planning to reduce some of its future cultural spending as part of a range of... -
Senior civil servants have defended their handling of an employment dispute that resulted in a...
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Plans to improve facilities at Norwich Theatre Playhouse are back on the table after they were...
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Arts Council England is facing legal action from two more employees it has emerged. So far this... -
An arts centre housing a Welsh language theatre company has opened in Bangor following a £4.5m...
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Investment in creative clusters will be key to economic growth and helping to level up the UK... -
A campaign group hoping to reopen a theatre in Somerset says it has been given backing from the...
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A music venue in Bath that has hosted some of the biggest names in UK music has closed with...
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English National Opera (ENO) will relocate to Manchester, it has been announced. The organisation,... -
Creative UK has unveiled a bullying and harassment resource designed to help improve and...
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A multi-million-pound theatre restoration project in Glasgow has been granted £382k of council... -
Festival organisers are struggling to book big names in the UK as they are no longer an appealing...
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Birmingham Hippodrome has completed the purchase of a neighbouring 11-storey office block financed...
Latest Features
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Pauline Tambling, who played a huge role in the arts education and training world for four decades, has died. Her friend and colleague Sally Bacon pays tribute to her.
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Last week, The Audience Agency announced a merger with fellow sector support charity, Culture24. Here, CEO Anne Torreggiani explains why they have joined forces and how their work together will support a more future-focused sector.
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In their latest collaborative research project, Euella Jackson and Jess Bunyan of Rising Arts Agency have been exploring the unequal balance of power inherent in partnership working.
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There is a domino effect at play across the sector at the moment, with the number of closures since last year reaching double figures. No doubt there are more to come, but Emily Williams thinks it can be done humanely.
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An ancient practice of balloting is being put to use in application processes with the twin aims of reducing unpaid labour and increasing fairness, writes Martin O’Leary.
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Impact investment is an ideal partner for the arts sector where taking creative risks, experimentation and imagination are second nature, writes Fran Sanderson.
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This week a trio of plays opens at Live Theatre Newcastle in which, for the first time, every show is captioned. For Vici Wreford-Sinnott, playwright and disability activist, it shows how times are changing.
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