Latest News
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An Equity-spearheaded campaign to ban casting directors from charging performers upfront fees has...
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A set of sector-wide standards for theatres, galleries, museums, libraries and other creative... -
A council report has warned that plans to revamp Hereford Museum and Art Gallery could cost £21.8m...
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Thousands of artists have asked the new government to take action to address “deep-rooted... -
The Mayor of London and the City of London have committed an additional £25m each toward the...
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Welsh National Opera's chorus has voted in favour of strike action over jobs and pay. The singers,... -
Nottingham City Council is considering operating its museums and galleries under a charitable trust...
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The Arts Council of Wales (ACW) and the National Library of Wales are among the recipients of a... -
Pitlochry Festival Theatre has been awarded grants for new captioning equipment. The grants come...
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A newly launched organisation is aiming to encourage innovation and attract significant new... -
Shakespeare Birthplace Trust has been gifted £1m from American playwright Ken Ludwig, the largest...
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Tax reliefs for theatres, orchestras, museums and galleries amounted to a record £240m for the 2022... -
The National Trust has "much more" to do in order to ensure it has a diverse workforce, according...
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Scottish Culture Secretary Angus Robertson has announced a review of Creative Scotland, the first...
Latest Features
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Anyone involved in marketing, or creating websites or digital products will know the phrase ‘You are not your customer’. Katie Moffatt shares how user-centred research can help you avoid making assumptions.
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There has been a lot of talk about the future of UK arts funding over the summer. Fran Sanderson has been assessing various funding streams to find ways to maximise their impact.
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Last month Mark Langley began his new role as Principal of The Scottish Institute of Theatre, Dance, Film and Television. Here he recounts his journey from ardent opera fan to conservatoire leader.
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Asked to reflect on the effect of Conservative rule on culture, John Kampfner concludes it was a period of stunning missed opportunity.*
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Some humanities subjects have been declared obsolete and – by extension – useless areas of education and research. Might creative subjects become subject to the same criticism? ask Patrycja Kaszynska and Brian Ball.
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There is no need for alarm over an increase in churn of arts leaders, says Jodi Myers. But the sector should consider what support emerging leaders need to help prepare them for top jobs.
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A key question for the new government has to be how to create the conditions for artists of all backgrounds to flourish, argues Patrick Fox.
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