Latest News
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The country’s Deputy Culture Minister, Dafydd Elis-Thomas, has responded to feasibility studies for...
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Actor Elise Harris, who represents a London branch of Equity, said that a member of the trade union...
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MPs are demanding urgent government action in order to stem the decline of creative education in... -
Fourteen community-led arts projects in England are each to receive £200,000 over the next three... -
Affordable studios and workspaces for more than 100 artists and creative businesses have opened at... -
More than three-quarters of charities are worried that economic uncertainty could reduce donors’... -
The UK creative sector saw EU investment of nearly £14 million (€15.9 million) last year, a new... -
A campaign in Cardiff has been launched to protect community-run cultural spaces in the city, as... -
A new category of Churchill Fellowship has been set up to fund travel that will enable architects...
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A 6,500 signature petition and international protests from forty international museum directors,...
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Higher than anticipated costs will lead to a two-year delay to accommodate an increase to the...
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Kingston Council has warned that the theatre's £265k annual funding will end by 2022 and criticised...
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Liverpool Philharmonic and Liverpool John Moores University are joining forces with Help Musicians...
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Sidney and Matilda Gallery and Social Club is applying for planning permission to develop a former...
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The first ever series of family friendly operas commissioned by the Royal Opera House aims to...
Latest Features
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Culturally diverse work is becoming more prominent, but the infrastructure supporting BAME artists still needs to improve, argues Pawlet Brookes.
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What can you do if your event is approaching but your marketing campaign isn’t achieving its desired effect? If you’ve got access to the right data, there’s always time to turn the tide, says Paul Fadden.
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A programme in Stockton-on-Tees has helped young people excluded from mainstream schools learn new skills, develop self-worth and show others what they can achieve, writes Rachele Rapisardi.
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The government's ‘Making Tax Digital’ initiative makes sense for HMRC, but it's also a chance for arts organisations to save time and money, says Mahmood Reza.
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Peter Campbell's sceptical critique of the 'creativity agenda' makes for fascinating - if at times uncomfortable - reading, says Andrew Garrad.
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Artists, activists and cultural workers argue that trans activists' protests against arts programming are part of a legitimate struggle for equal rights.
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Having recently announced that South East Dance is to produce an all-female dance programme, Cath James discusses the complex issue of gender quotas.
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Christine Hamilton considers how much has changed since the publication of her report on women in the Scottish arts sector three years ago, and what still needs to be done.
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