Latest News
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A survey by the Chartered Institute of Public Finance and Accountancy (Cipfa) finds that 130 public...
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Contractors have discovered a range of issues with the building, including rotted timber and...
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Liverpool Everyman and Playhouse has dropped out of Arts Council England (ACE)’s National Portfolio... -
Further investment from Creative Scotland and BBC Arts into the Edinburgh venue will support an...
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A senior Government Minister has for the first time pointed to the controversial EBacc education... -
The gender pay gap in the arts is showing no signs of abating, with women being only half as likely... -
Responsibility for distributing lottery funding should be taken away from the UK’s arts councils... -
35 million people in the UK were reached during five years of cultural activity to mark the... -
Traditional measures of growth are unsuitable for the creative industries – widely recognised as... -
A new partnership led by the University of Leeds and music therapy charity Nordoff Robbins has been... -
Burnley Empire Theatre, the only purpose-built Victorian theatre in East Lancashire, and which has...
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Research by ComRes found that 69% of people who had attended a live ticketed event in the past year...
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A collaboration between the city council and the foundation’s Momentum Music Fund will award one...
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After ten years of activity in the city’s west end, Creative Scotland-backed gallery The Common...
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The Royal Northern College of Music has responded to increasing complaints of mental health...
Latest Features
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Local authority cuts to the arts may be widely reported, but some councils are investing serious money in cultural development, says Andrew Dixon.
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Making a product or service scarce or exclusive has become an effective way to attract customers in other sectors. Tim Baker explores how it might work in the arts.
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Venues need a better understanding of customer spending habits for purchases like pre-show meals and interval drinks. James McClure explains how a ticketing solution is providing a comprehensive view.
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Reclusive artist John Middleton has just held his first exhibition for 40 years. He explains why he rejected the world of commercial art to 'become a caveman'.
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Mark Doyle says that a clear sense of purpose has encouraged leading artists to participate in an ambitious programme of contemporary exhibitions in Rochdale.
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How can Arts Council England do more to include the voices of people with experience of the criminal justice system? The National Criminal Justice Arts Alliance talks to artist and former prisoner Erika Flowers.
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Should trustees on arts boards always be expected to give a donation, as is commonly the case in the US? Michelle Wright weighs up the pros and cons of this thorny issue.
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Three cultural organisations in Wiltshire are now under one collective umbrella, giving them the opportunity to share data and cross-promote performances and offers, says Alice Young.
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