Latest News
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George Ferguson has described proposals to build a new arena north of the city as “lunatic” and “...
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CEO Janet Owen has announced she will leave the trust, following several redundancies and the...
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The proposals would see the council-run Ferneham Hall reduce its main auditorium capacity and add a...
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Cost and a lack of educational opportunities mean that aspiring working class actors are being “cut...
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Three Egyptian curators due to speak at an international museum conference in Wales have been...
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UK touts face a further squeeze with the announcement that Live Nation is to shut down two European...
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A new £2.5m research centre is to be set up to promote collaborative work on cultural value. The...2 -
A new £2m Touring Fund for Theatre and Dance has opened in Scotland, supporting artists, producers... -
Barriers relating to social class have been identified as key factors holding back young people... -
Changes to the apprenticeship system could make it more appealing to employers in the cultural... -
A report by the Fair Fringe campaign finds “shameful” sharp practice by venues and promoters at the...
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A former board member of the Charity Commission has warned the organisation against charging... -
Cities should do more to harness the benefits that small arts organisations in unglamorous outer... -
A clampdown on visas led to a dozen authors facing unprecedented barriers to visiting the Edinburgh...
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Critics have slammed the use of taxpayers' money to recruit an arts curator to place HS2-linked...
Latest Features
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How does a dyed-in-the-wool advocate for public subsidy of culture feel about social investment for the arts and cultural sector? Moira Sinclair reflects on what she learned as a committee member of the Arts Impact Fund.
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By taking a robust approach to understanding the social class make-up of the workforce, the cultural sector can address entrenched inequalities. Dave O’Brien suggests a way forward.
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Grassroots culture undeniably delivers huge benefits to communities and local economies, but Martin Cox believes it could also resuscitate the funded cultural sector.
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The Artistic Director and CEO of Chinese Arts Now, one of Arts Council England’s new National Portfolio Organisations, explains how she reached her position.
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Bolton's Octagon Theatre offers refugees and asylum seekers a warm welcome and opportunities to share their experiences. Deborah Dickinson tells the story.
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Arts organisations can develop resilient business models by acknowledging that they don't have all the answers, says Julie Aldridge.
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Leaders in the arts sector need to focus more on self-awareness and reflection, which is why the Boosting Resilience programme has developed a course on reflective journaling. Clive Holtham and Catherine Rogers report.
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Many children steer well clear of opera, but the artform has allowed primary school pupils in Norfolk to discover new heights of confidence and creativity. Genevieve Raghu explains how.
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National Criminal Justice Arts Alliance
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