Latest News
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A new Memorandum of Understanding, in place until 2020, includes commitments for both bodies to...
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£60k has been granted to a South Shields project to turn a pit head building into a cultural hub...
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Although the city remains one of the cheapest in Scotland to buy a house – with an average price of...
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Publishers and creative artists could receive more money from tech giants that share their content...
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Director Andrew Panton has said that Dundee Rep’s current building is “probably not” the best way...
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The Arts Council of Wales (ACW) is aiming to double the number of Black and Minority Ethnic (BME)... -
Perth and Kinross Council has expressed interest in a merger between Horsecross Arts and Culture...
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26 cultural and heritage organisations, including Birmingham Hippodrome, have supported the annual...
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The London Symphony Orchestra (LSO) conductor’s East London initiative will offer free training to...
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Creative Scotland has warned the UK Government that its proposed lottery reforms could put returns... -
A year-long project providing business support to creative and cultural organisations has ended... -
The Scottish Government is planning to create a new fund to protect cultural organisations from the... -
Bristol’s multi-arts venue Watershed, National Museums Scotland and Punchdrunk theatre company are... -
A new toolkit aims to give activists key facts to make the case for the arts in their local schools...
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Wales has been urged to do a better job of showcasing its arts sector internationally through “new...1
Latest Features
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Clinical psychologist Katherine Taylor explains how Greater Manchester is putting the arts at the heart of its mental health strategy, inspired by Finland’s positive experiences.
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Laura Bailey explains how Kent County Council is aiming to integrate arts and culture into its commissioned services across the board - even in waste management.
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A project run by the Royal Exchange Theatre in Manchester and a housing provider started with cultural visits and ended with a full-scale theatre production. Inga Hirst tells the story.
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Arts organisations are under growing pressure to demonstrate social impact. Emma Taylor-Collins explains how they can gain robust, high quality evidence to measure their success.
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A circus artist helped older people and children develop their confidence and communicaton skills in workshops at Guy’s and St Thomas’ Hospital, writes Emma Gladstone.
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Ovalhouse’s FiRST BiTES programme ensures that it takes the risks necessary for creating diverse and experimental theatre, explains Owen Calvert-Lyons.
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How can an arts organisation be sure it is working with schools that represent the community? Lucie Fitton and Ashleigh Hibbins suggest combining arts, population and schools data.
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As well as being a studio space for independent dancers and choreographers, Glasgow's The Work Room is also an empowering artist-led support network, says Anita Clark.
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Mayflower Theatre
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Conferences & Training
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Yesplan
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Theatres Trust
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Yesplan
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Arts and Culture Network
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