Latest News
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A growing number of large, core-funded arts organisations are at risk of failing to meet their... -
The more senior an employee is in their organisation, the less connection they have with web and... -
Arts organisations in the UK have been warned that March 2019 may be the final month they can apply... -
Producers behind the project say Space 18 will be spread over 42,000 square feet, comprising seven...
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The theatre company, currently based at Bethnal Green’s Rich Mix, will have headquarters with a new...
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West Somerset Council has granted a loan to community group The Onion Collective to create an arts...
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The Government’s new technical qualifications – due to be phased in as an alternative to A Levels... -
Arts organisations, funders, schools and teachers are being given new guidance on how to... -
The way success for small creative businesses is usually measured is outdated and does not... -
The organisation, known for its new opera productions, will move into a Grade I-listed house owned...
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US photographer Nan Goldin has said she will not go ahead with a retrospective of her work at the...
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The 2,500-seat Crown Theatre in Eccles, which hasn’t been used as a theatre since the early 1930s,...
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Hans and Julia Rausing made the donation to the Royal Academy of Arts postgraduate arts school to “...
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Over 300 people demonstrated against BP’s sponsorship of the museum’s temporary exhibition on the...
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A working group has concluded that for the island to create “sufficient and sustainable” funding...
Latest Features
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Little has changed in the ten years since John Holden first shone a spotlight on the damaging disconnect between the arts sector and the public at large. Could the mass realisation of personal creativity provide a way forward?
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Circus was created to fill a gap left by ‘serious’ theatre. Now a new generation of performers is rejecting bureaucratisation to rediscover the artform's anarchic roots, writes John Ellingsworth.
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Support for new parents in the arts sector is often lacking. Rachel Harper explains how a new show has introduced a range of measures to create a less stressful, more inclusive working environment.
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The port town of Felixstowe proved an ideal setting for exploring less cerebral ways of engaging with contemporary art, writes Natalie Pace.
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Lucy Neal welcomes François Matarasso's nuanced and passionate exploration of the growing field of participatory art.
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Tackling the climate crisis will require rapid and unprecedented change. Chiara Badiali asks whether the sector has what it takes to meet the challenge.
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The Lyric Hammersmith keeps 180,000 bees on its roof as part of its continuing commitment to going green. Sian Alexander tells the story.
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Without creative thinking, society will sleepwalk into a climate disaster. The arts have a crucial role to play in inspiring, challenging and provoking us into action, says Judith Knight.
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