Latest News
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A poll of 1,745 Berlin-based artists finds just 24% of men and 19% of women can survive on their...
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Deutsche Entertainment AG, which does about half its work in Britain, expects continuing demand for...
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A-level music is “hanging on by [its] fingertips” in English state schools and colleges because... -
In a letter to The Guardian, 14 arts leaders, including National Theatre Director Rufus Norris and...
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£3m from Conwy Council, the European Union and the Welsh Government will be used to revamp Venue...
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Visits by children to English attractions fell by 7% last year, in a trend which Visit England said...1 -
The overall number of artist workspaces in London is increasing, according to new research... -
A higher public profile and new audiences are among the long-term benefits generated by... -
Dr Farah Karim-Cooper, Head of Higher Education and Research at the organisation, said that...
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Roisin McDonough is suing the Department for Communities, Arts Council Northern Ireland (ACNI) and...
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The Government has called for a greater role for charities and communities in the delivery of... -
George Ferguson has described proposals to build a new arena north of the city as “lunatic” and “...
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CEO Janet Owen has announced she will leave the trust, following several redundancies and the...
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The proposals would see the council-run Ferneham Hall reduce its main auditorium capacity and add a...
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Cost and a lack of educational opportunities mean that aspiring working class actors are being “cut...
Latest Features
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How does a dyed-in-the-wool advocate for public subsidy of culture feel about social investment for the arts and cultural sector? Moira Sinclair reflects on what she learned as a committee member of the Arts Impact Fund.
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By taking a robust approach to understanding the social class make-up of the workforce, the cultural sector can address entrenched inequalities. Dave O’Brien suggests a way forward.
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Grassroots culture undeniably delivers huge benefits to communities and local economies, but Martin Cox believes it could also resuscitate the funded cultural sector.
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The Artistic Director and CEO of Chinese Arts Now, one of Arts Council England’s new National Portfolio Organisations, explains how she reached her position.
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Bolton's Octagon Theatre offers refugees and asylum seekers a warm welcome and opportunities to share their experiences. Deborah Dickinson tells the story.
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Arts organisations can develop resilient business models by acknowledging that they don't have all the answers, says Julie Aldridge.
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Leaders in the arts sector need to focus more on self-awareness and reflection, which is why the Boosting Resilience programme has developed a course on reflective journaling. Clive Holtham and Catherine Rogers report.
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Many children steer well clear of opera, but the artform has allowed primary school pupils in Norfolk to discover new heights of confidence and creativity. Genevieve Raghu explains how.
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