Latest News
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National Lottery operator Camelot should be “more transparent” about where its tickets and scratch... -
Hundreds of individuals, arts organisations and funders have submitted evidence to parliament about... -
Poor management by Creative Scotland of its Regular Funding application process for 2018-21 has “... -
A tribunal has ruled that the museum was discriminatory when it made an employee redundant, and...
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Ahead of its £14m revamp, the venue has changed its name to ‘Leeds Playhouse’. The theatre will...
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A new £20m fund to develop cultural institutions and regenerate urban areas in a way that “... -
Research by the Glasgow Women’s Library has found many museum workers express a firm commitment to...
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An independent investigation initiated by the Actors Touring Company has upheld four complaints of...
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Creative businesses and arts organisations will be supported to collaborate on new ideas for large-... -
The Fundraising Regulator (FR) has rebuffed an accusation that it made a “manifestly unreasonable”... -
A YouGov poll found 43% of women under 40 endured unwanted sexual behaviour at a music festival,...
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The Mackintosh building, which was undergoing a £35m restoration, was hit by a blaze on Friday...
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Three theatre organisations accepted into Arts Council England’s (ACE) national portfolio for 2018-...
Latest Features
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Technological and digital developments grow exponentially. The arts sector must take advantage of the technology available now and be ready for the digital changes ahead, advises Daniel Rowles.
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The right approach to segmentation can drive sales and improve return on investment, as Tennessee Performing Arts Center in the US proved. David Reece and Timmy Metzner explain.
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Matt Griffiths reveals how his career progressed from freelance percussionist to Chief Executive of Youth Music.
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No one in need should put any faith in this toothless ‘regulator’, which has just spent two years squirming out of its responsibility to regulate, writes Christy Romer.
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Few arts venues have programmed main stage shows starring performers with learning disabilities, but new diversity requirements for England’s NPOs could change that, says Gus Garside.
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Alison Fordham explains how IF: Milton Keynes International Festival’s programme of outdoor events is a key audience development and placemaking tool for the town.
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AMA
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Pro Active Resolutions
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Creative Alliance
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Watts Gallery in partnership with the National Criminal Justice Arts Alliance
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Methods For Change
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