Latest News
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PRS for Music has called for views on its controversial livestreaming licences. The society has...
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About 70% of visitors to select arts venues in Surrey would not have travelled to the area... -
An independent network of national museum organisations is calling for "a comprehensive and...
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A Creative Industries Federation (CIF) survey has revealed that creative freelancers, micro...
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A study into the likelihood of Covid-19 transmission in theatres may help redefine 'outdoor'... -
Scotland's Culture Secretary Fiona Hyslop has requested an urgent meeting with her UK Government...
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The cultural sector in England could reopen fully by June 21 pending continued wins in the fight... -
Plans for a new concert hall for London have been scrapped following five years of funding...1 -
22 more heritage organisations will benefit from £13.5m in targeted grants to restart regeneration...
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The National Theatre’s plans to tour its production of The Curious Incident of the Dog in the Night...
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A planned roundtable summit organised by the Department for Digital, Culture, Media and Sport (DCMS...
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The National Gallery has announced a £25-£30m upgrade to mark its 200th anniversary in 2024. The...
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Glyndebourne has announced plans to stage its 2021 festival. The annual opera festival, which was...
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Seyi Omooba has lost an employment tribunal claim against Leicester’s Curve theatre and talent...
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UK Music Chief Executive Jamie Njoku-Goodwin is urging Boris Johnson to include live music in his...
Latest Features
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Moira Jeffrey writes that the fight to survive is a reality we cannot ignore. Focussing on that alone will lead to “erosion and obsolescence”.
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Underpaid artists have become caretakers for communities that commissioners want to say they’re supporting. Eleonora Belfiore asks: whose responsibility is it to push for the change we so desperately need?
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What do we learn when we apply DCMS’ new framework for valuing culture to a controversial statue? Robert Hewison gives it a go.
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Purposeful and ethical deaccessioning has funded a digital transformation that is giving a small, London museum a sustainable long-term future, global reach and wider community engagement. David Glasser tells the story.
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Nigel Prince reflects on the power and responsibility arts organisations have to champion social change in a time of upheaval worldwide.
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Covid-19 has proved that what worked back then won’t work now. Patrick Towell says true innovation requires attention, collaboration, and a sense for ideas that can be scaled up for success.
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Professional Development
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Council for Dance, Drama and Musical Theatre
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Arts Fundraising & Philanthropy
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Creative Carbon Scotland
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