Latest News
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Nine education unions and associations are teaming up to launch a festival celebrating the role of...
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A bespoke studio space that will host a participatory programme of arts activities including artist...
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The Electric Arcade, a year-round live performance and film venue, opens this month on Brighton...
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Arts Council England (ACE) has defended its delivery of the Culture Recovery Fund to MPs, saying it... -
Tickets are still being sold for shows in June that will not take place under the Government’s...
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Liam Scarlett, former Royal Ballet choreographer and artist-in-residence, has died a day after the...
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There is near silence over the activities of the Government's Cultural Renewal Taskforce almost a... -
Festival Republic has joined the Government's Events Research Programme (ERP), hosting a music...
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Activist group Culture Unstained says the museum is giving "dangerous legitimacy" to the oil...
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Arts Council of Wales (ACW) has appointed Andrew Ogun as Agent for Change – a new role leading the...
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Vaccine certification would initially prevent more people attending venues than it would persuade,... -
The maxiumum penalty for criminal damage to public monuments has been raised from three months' to...
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A consortium of leading arts organisations aims to connect a new generation of English artists with...
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Promises that the original production of Phantom of the Opera would return after Covid restrictions...
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Cultural education charity Art UK and Bloomberg Philanthropies have embarked on a multi-year...
Latest Features
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Employers in arts, culture and heritage face hard choices about what to invest in and how to effectively plan for the long term, writes Michelle Wright.
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Amanda Huxtable reflects on how racial trauma has shaped leadership within the cultural sector, taking on the responsibility for change that institutions have long avoided.
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James Clutton says supporters have stood by cultural organisations through the toughest of times. They deserve transparency, care and as much opportunity to engage as possible.
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Ryan Dawson Laight had to costume virtual productions from recycled garments, self-printed fabric and actors’ own wardrobes. Here he shares how he’s adapted and flexed his skills for these testing times.
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A new cross-continent cultural leadership programme provides a unique opportunity for artists and creative professionals to collaborate. Sophina Jagot tells the story.
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Cultural organisations can play a key role in creating thriving places for people to live, work and visit, but only if they reach out to creative partners beyond the local ‘culture club’. Penny Mills, Anne Torreggiani and Patrick Towell explain how.
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