Latest News
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Arts Minister Chris Bryant has warned he “does not have an easy answer” for the financial...
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A digital platform that will bring together more than 100 million object records from 1,750...
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The use of ‘in demand’ pricing practices during the recent sale of Oasis concert tickets may have...
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Arts Council England has opened the application process for the next three-year round of its...
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Government plans to review the performance and remit of Arts Council England have been "paused" in...
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Eight artists from Northern Ireland will share £75,835 of funding toward the creation of art...
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The total market value of concerts and music festivals in the UK grew by 17% in 2023, reaching a...
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Save the Children has pulled out of an event at London's Science Museum following concerns among...
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A collection of artefacts of significant cultural importance to the Aboriginal Warumungu Community...
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A newly-formed national music charity is aiming to help independent music venues develop extensive...
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The General Secretary of performers' union Equity has urged Prime Minister Keir Starmer not to...
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Arts Council Wales has announced it is pausing two funding schemes targeted at educators and...
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Security guards working at two popular London cultural attractions are being balloted on strike...
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DanceEast has been awarded £50,159 from the Jerwood Foundation towards its commissioning programme...
Latest Features
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With headlines raging around Ticketmaster and Oasis, will there be fallout for arts organisations that price dynamically? Robin Cantrill-Fenwick thinks it’s time to get ahead of a growing conversation.
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There has been a lot of talk about the future of UK arts funding over the summer. Fran Sanderson has been assessing various funding streams to find ways to maximise their impact.
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Part of the point of art is the lens it offers us to look at the world in a different way, to converse with people and perspectives that are not our own, to learn, to disagree and to share, writes Clare Reddington.
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Anyone involved in marketing, or creating websites or digital products will know the phrase ‘You are not your customer’. Katie Moffatt shares how user-centred research can help you avoid making assumptions.
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Last month Mark Langley began his new role as Principal of The Scottish Institute of Theatre, Dance, Film and Television. Here he recounts his journey from ardent opera fan to conservatoire leader.
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Asked to reflect on the effect of Conservative rule on culture, John Kampfner concludes it was a period of stunning missed opportunity.*
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Some humanities subjects have been declared obsolete and – by extension – useless areas of education and research. Might creative subjects become subject to the same criticism? ask Patrycja Kaszynska and Brian Ball.
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