Latest News
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The music industry contributed a record £5.2bn to the UK economy in 2018, according to research... -
Andrew Lloyd Webber’s Really Useful Group, the National Theatre, international producer GWB...
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Members of the organisation BP or not BP? dressed as Greek statues covered in oil to protest...
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A “welfare model” of cultural funding based on regular grants of public money is increasingly unfit... -
The company has joined a growing list of institutions that no longer want the Duke of York as their...
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White people comprised 84% of the publishing workforce last year - 2% less than in 2017 - according...
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Discord has resurfaced within Arts Council England (ACE) over whether it should be using the word ‘... -
Campaigners say MathsAlive!, an interactive exhibit aimed at children aged seven and up, promotes...
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Advertisements by the activist group have been placed outside the New York museum, saying that it...
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It will become harder to be an artist despite “unprecedented” growth in the art market and the... -
Photographer Nan Goldin has led a die-in in the museum's Sackler courtyard entrance to protest...
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'The Drinker', Banksy's scultpure satirising 'The Thinker', could fetch up to £1m. There is a...
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Police are investigating threats of violence against the outgoing Head of Middlesbrough Town Hall... -
Richard Clews, 53, stole musicians' royalties from PRS for Music, where he worked after losing his...
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Bloody Sunday Trust has been ordered to pay £210,000 to contractors involved in the redevelopment...
Latest Features
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As new customers are more likely to buy high price tickets than existing customers, can we expect Pay What You Can schemes to develop new audiences? Debbie Richards examines the evidence.
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The tourism sector talks of aviation and inbound tourism as a way forward for rural areas, but could the cultural sector offer a route that is more in tune with the challenges of our time? Fiona Wotton examines the issues.
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Research suggests that people living in ‘more deprived’ areas are less likely to engage with cultural activity. But is that true across the board, or are there different patterns between – and within – different art forms? Mark Taylor digs deep to find out.
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Patricia Lovett makes the case for protecting and promoting historical crafts – an industry larger than British textiles.
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Forty years after founding Artsadmin, departed Director Judith Knight has just one regret: “it’s the most boring name for a company that’s ever existed, probably.”
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This year Jerwood Arts published a toolkit for cultural organisations, designed to encourage greater socio-economic diversity in the arts. Julie Lomax, Chief Executive of a-n The Artists Information Company, sees it as a starting point for helping solve the sector’s ‘class crisis’ – but arts consultant Chrissie Tiller isn’t so sure.
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