Latest News
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Employment rights for thousands of peripatetic music teachers could be about to change dramatically... -
The Tate group of galleries – including Tate Modern, Tate Britain, Tate St Ives and Tate Liverpool...
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‘Youth Performance Partners’ have been selected to lead a £5m government-backed scheme to provide... -
A new plan to identify, protect and develop cultural performance and rehearsal space in the capital... -
Following reported success in a trial at Cleethorpes station, in which playing classical music over...
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Ambitions to convert three derelict former industrial buildings on the pier – The Warehouse, The...
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Art Council England, Portsmouth City Council and the area’s Victorious Festival have provided a...
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Ellesmere Port’s Whitby Hall, a 15-roomed Victorian house in which Action Transport Theatre is...
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A formal inquiry in Scotland is setting out to identify the major threats to sustainable arts... -
Theatres and creatives across the country are urging the arts sector to “do its part” and “tell the... -
A mutual agreement “not to proceed at this time with a £1m gift” follows growing controversy about...
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Seyi Omooba, cast as a bisexual character in the upcoming musical production of The Color Purple at...
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The increased willingness to ‘boo’ villainous characters, instead of poor performers, is a sign...
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The Boulevard Theatre, previously a nightclub and venue for alternative comedy acts including Eddie...
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The creator of the Hogmanay celebrations in the city, Peter Irvine, said Edinburgh’s “overtourism”...
Latest Features
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Art Fund volunteer Jane Crease responds with incredulity to reports that the charity's financial support for its volunteer network can no longer be justified.
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What makes socially engaged and participatory arts projects successful? Elizabeth Lynch and Miriam Nelken talked to artists, commissioners and participants to find out.
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Charlotte Arrowsmith, who is performing in two plays with the RSC this summer, explains the challenges and opportunities involved when deaf actors are cast in mainstream productions.
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A recent survey found that four in five Londoners would contribute at least £2 towards public art in their local area. Marine Tanguy and Vishal Kumar explore the potential role of citizens in new commissions.
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Hanna Streeter, Executive Director at Orange Tree Theatre, reflects on the key influences on her career, including being inspired by theatre in-the-round and going full circle.
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Christine Harmar-Brown draws on her experience of submitting and assessing applications to offer some pointers on what works.
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The casting of deaf actor Charlotte Arrowsmith in a current RSC production illustrates how committing to diversity does not mean being worthy or boring, says Jonathan Knott.
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The ArtsPay 2018 survey has provided the opportunity for the realities of earnings in the arts & cultural sector to be better understood. This final report and associated analysis, together with commentary by the ArtsProfessional team and others, all contribute to a much clearer picture of the state of pay in 2018.
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