Latest News
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Graffiti artist STIK, who has sold a smaller model of his four-metre Holding Hands sculpture at...
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Although pre-lockdown many artists were already skilled in working with older people face to face...
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Research into the careers of graduates from six leading theatre and dance institutions has revealed...
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The operation of Peterborough’s cultural, heritage and library services will be taken over by City...
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Leaders from sectors including financial and professional services, tech firms and cultural...
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Organisations rejected for Cultural Recovery Fund (CRF) grants are looking to the public for... -
Numbers of Black, Asian and ethnic minority workers entering the music industry have boomed since... -
Proposals to restrict the number and nature of street perfomances around London's West End will... -
A £7.75m emergency funding programme will help Northern Ireland's arts, cultural and creative... -
Peter Florence, director and co-founder of the Hay literary festival, has been suspended after an...
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Crafts Council & Craft Scotland, Help Musicians, Society of Authors, Visual Arts Scotland and...
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The star-studded Cultural Renewal Taskforce charged with the sector's recovery has met just once...
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A survey by the Museum Freelance group has found that less than half of freelancers and consultants...
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Financial and career support will be available to more "outstanding and visionary music creators,...
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Changes to the Job Support Scheme to reduce the burden on employers who can't operate due to local...
Latest Features
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This week UK Music publishes its industry-wide ten-point plan for a diverse music ecosystem. But it’s actions, not words, that will bring about lasting change, says Ammo Talwar.
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Festival UK* 2022 is not a ‘celebration of Brexit’ but a celebration of the place we call home, argues Sam Hunt.
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Right now past data is a poor predictor of the future, but understanding the scale and nature of change while responding to issues and initiatives of importance to funders will be vital to future success, say Michelle Wright and Sarah Thelwall.
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With freelance workers still living on the brink and campaign groups springing up to lobby for a more equitable future, work is going on behind the scenes to deliver a coordinated response to policy-makers. The Creative Recovery group shares progress so far.
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A new series of case studies will be reflecting on the impact of the lockdown on communities and the ways Creative People and Places projects adapted to work with them. Caroline Griffin shares the story.
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The Scottish government may have put ‘build back better’ on the back burner, but contemporary art has not. Clare Harris celebrates the determination that characterises Scottish artists as they cling on through the pandemic.
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