Latest News
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A parliamentary inquiry is to examine the future of the National Lottery and how it can raise more... -
Margot James resigned after voting against her party to support an amendment that would prevent the...
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An “ambitious” dance partnership is expanding to incorporate visual art institutions that will help... -
Former Culture Minister Ed Vaizey has suggested that leadership rather than budget constraints is... -
London has six more grassroots music venues than it did last year, according to new figures... -
James Huang Zheng, 41, is being detained in China after drunkenly hitting an 11-year-old boy during...
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Nearly 2 million people saw live music in the city in 2017, according to a report from UK Music...
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The Paris museum has taped over or taken down plaques dedicated to the philanthropist family, an...
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The ticket reseller is now unable to pay to appear at the top of global search rankings, Google has...
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The Society of London Theatre and UK Theatre have started giving body cameras to front of house...
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A major cultural programme to commemorate the centenary of World War One was "exceptionally... -
The organisers of Livewire Festival say they pulled the plug because of "investor issues",...
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Steven Brown Art Limited's gallery and warehouse in Ayr have been closed and its assets, artworks...
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Co-presidents of the biennale's vetting committee Frédéric Castaing and Michel Maket have quit...
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Dutch Justice Minister Ferdinand Grapperhaus said a reduction in festivals would help police tackle...
Latest Features
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It's great that arts organisations are recruiting young people to their boards - but they need to really think about why, says Dana Segal.
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Meeting future challenges in the arts sector will not be about managing change, but creating it, says Richard Watts.
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Programmes that nurture imagination and ambition can help re-establish the arts as a transformative force, says Robert West.
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Tara Lopez identifies three key themes that have emerged so far from the four-year Vital Spark initiative.
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The Contact Young Curators programme gave Wez Thistlethwaite the opportunity to re-engage his creative muscles by co-curating a world premiere at this year’s Manchester International Festival.
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The CEO of Bristol’s Watershed looks back on how “a jumble of opportunism and serendipity” has helped her avoid silos and find fulfilment throughout her career.
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While some in the UK may believe we have little to learn from European collaboration, Anne Torreggiani and Jonathan Goodacre have found cross-border networks to be a force for innovation and change.
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