Latest News
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Around half of the pupils benefitting from two multi-million-pound Government schemes aimed at...
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Wigan Royal Court Theatre, which has been used as a bingo hall, bar and nightclub since it closed...
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Regional theatre companies and venues including Pilot Theatre, Derby Theatre and the Mercury...
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More strategic thinking about music provision for children and young people is needed from policy-... -
The royalty rate for live popular music will increase for the first time since 1988, following a... -
National Lottery operator Camelot has claimed impending game changes will allow it to increase... -
The Government has announced a new £3m social investment fund to support cultural and creative... -
The newly-created Culture, Health and Wellbeing Alliance has selected its first Director as it... -
Harriet Harman MP has backed the #everychildamusician campaign, established by oboist Nicholas...
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Falling Lottery revenues and policy changes favouring regional venues and smaller projects have led...
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Culture Minister Monika Grütters has announced plans to boost annual arts funding by around €300m...
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Artistic Director and Chief Executive Sarah Brigham said she has received “phenomenal” support...
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Collaboration between organisations including Arts Council England, the Association of Independent...
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The capital project has created 70% more public space, including a new suite of galleries, a...
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The national arts funder has contacted several arts organisations ahead of a referendum on the 8th...
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The theatre, which has operated in temporary venues since it was founded in 1993, has announced it...
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Tunbridge Wells Borough Council has approved planning proposals for a £90m theatre and civic centre...
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A more widespread arts offer in care homes could help achieve the person-centred care agenda and...
Latest Features
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Stunting community and voluntary arts organisations by restricting access to capital funding will hurt the whole sector in the long term, warns Emma Harvey.
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You may think Debbie Geraghty should be celebrating the current diversity debate, so why isn’t she?
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Do we know more about the worth of the arts than we did 30 years ago or have we been going in circles? Researcher Patrycja Kaszynska and consultant Ian David Moss discuss researching the value of culture in the UK and the US.
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Changing the role of the box office at Vancouver’s summer Shakespeare festival from an operational one to a marketing one resulted in an increase in ticket revenue, says Ethan Joseph.
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Has music become too pigeon-holed into distinct genres? Tony Haynes asks how we can truly promote cultural diversity when the opportunities for creativity are so restricted.
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Hull Truck Theatre’s pop-up box offices in local supermarkets sell tickets to new audiences and also create valuable community relationships. Magda Moses tells the story.
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To improve the diversity of the workforce, arts organisations need to employ more young people from low-income backgrounds. Kate Danielson shares tips for adjusting recruitment practices to do just that.
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Sara Whybrew explores the impact that the new T Level qualifications – an alternative to apprenticeships or A Levels – may have on the arts sector.
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With over 80% of staff under 30, Lincoln Performing Arts Centre’s workforce is relatively young. Craig Morrow reveals how providing training and clear progression routes have been key to its success.
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AMA
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Dance Manchester and the Rural Touring Dance Initiative
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Arts and Culture Network
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