Latest News
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Organisations that repeatedly failed to meet diversity standards will get another chance to improve... -
Conservative politicians have been criticised for supporting Cornwall's City of Culture bid four...
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The Museum of the Home, formerly the Geffrye Museum, has been targeted by protesters who want a...
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A £9m arts centre needs cash from the Government's Levelling Up fund to get off the ground. North...
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Events support companies remain unsure of their obligations around using grants they've received... -
Further support is needed if the arts sector is to survive the four week delay to fully reopening,... -
11,000 people have already subscribed to WindowSight, a digital arts streaming service akin to "...
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A new mentoring scheme will give "vital new opportunities" to theatre directors. Twenty-four ...
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Most people support continued funding for arts courses in higher education, a new poll says,... -
Belfast’s Grand Opera House has completed its £12.2m restoration and development project. It...
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Gig theatre company Middle Child has launched a new artist development programme in Hull. The ‘...
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Henley Festival's Summer Fling will not go ahead, organisers have announced, citing Monday's...
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Theatr Ardudwy could reopen under the ownership of production company KMD and sister company Ignite...
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Leaders in dance have featured prominently in the Queen’s Birthday Honours, as figures across arts... -
Some artists stand to earn thousands as Sony Music cancels their historic debts. Musicians who took...
Latest Features
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Can using public money to make BAME* entrepreneurs successful be in the public interest if it makes them wealthy too? Kevin Osborne sets out the challenge.
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The more you look at the cultural aftermath of this year of lockdowns, the clearer it becomes that current thinking around arts funding is a missed opportunity, Anthony Sargent writes.
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It’s easy to blame the challenges now facing theatre on the longest shutdown of stages since the mid-17th century. But these problems began well before the pandemic, argues Dan Hutton.
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A commissioning programme in support of disabled artists was inundated with applications. Jo Verrent says the sector must increase its commitment to this under-served community.
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To become genuinely inclusive, organisations need to find space to talk. Michael Davidson runs a music education programme where lived experience has been a catalyst for organisational change.
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While audiences are most comfortable returning to outdoor events, organising a festival that can flex around ever-changing restrictions is still no mean feat. Penny Mills and Jonathan Goodacre have been looking at what’s working.
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Professional Development
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Yesplan
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The Audience Agency
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Social Convention
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Oxford Cultural Leaders
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Arts Connect - University of Wolverhampton
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