Latest News
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The Arthur M. Sackler Gallery in Washington D.C is being renamed as part of a re-branding exercise...
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A company responsible for running more than 100 libraries across the UK has been condemned for...
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The country's Prime Minister Scott Morrison has announced the Department of Communications and the...
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Alt-space, the home of Morecambe Fringe, has had its last 12 funding applications rejected. The...
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The Royal Academy of Music (RAM) has commissioned an independent review into its safeguarding...
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NEC Group plans to build an 8000-capacity venue in Edinburgh, the first indoor arena in Scotland's...
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Glasgow School of Art (GSA) has defended a lecture containing allegedly racist and transphobic...
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Scotland’s Culture Secretary has delayed publication of the country’s new Culture Strategy until...
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A rare first-edition copy of a collection of Scots songs is now for sale for £5200. Collector Kevin...
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The development, which will expand Manchester Metropolitan University's creative, digital and tech...
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Musicians are calling for a raft of policy measures to limit the damage Brexit will cause to their...
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Art collector Jamie Aherne has opened what is believed to be the city's first original fine art...
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Andrew Aldis has alleged he was fired after refusing to take a £4000 pay cut following East Riding...
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Londoner Andria Zafirakou, who won the $1 million Varkey Foundation global teacher prize in 2018,...
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Leanne MacVeigh Dance Academy in Alford, Aberdeenshire has converted industrial units into a ...
Latest Features
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Harassment will continue until institutions are willing to take difficult decisions, says Jonathan Knott.
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Susan Rudnik explains how a community-led art psychotherapy service is helping those affected by the trauma of the Grenfell Tower fire to start processing what happened.
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Climate change, activism, funding constraints, policy priorities… How can museums and heritage organisations adjust their presentation, programming, collections and business models in response to the challenging world around them? Being adaptable is the only way forward, says Tom Freshwater.
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How do policies and prejudices around religious belief affect the cultural workforce? People of faith tell Martin Cox how they feel about being an artist involved in socially engaged arts.
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National Theatre partnerships with theatres around the country are creating an opportunity for them to share and compare experiences and ideas across a mix of scales, locations and financial models. Lisa Burger explains what’s going on.
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From freelance marketing to running his own production company, Jake Orr has always been willing to take a leap into the unknown.
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