Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
An inquiry led by members of the Scottish Parliament will examine public and private sources of revenues for artists and focus on how funding should be distributed to create a sustainable future for the sector.
A recent survey found that four in five Londoners would contribute at least £2 towards public art in their local area. Marine Tanguy and Vishal Kumar explore the potential role of citizens in new commissions.
London bore the brunt of cuts to Arts Council England’s open access ‘Grants for the Arts’ scheme, while an associated funding redistribution favoured the South East.
As low- or no-pay practices continue to dominate the arts and cultural sector, some enlightened employers are starting to reap the benefits of offering a fairer deal to all staff. Jonathan Knott reflects on the findings of the ArtsPay 2018 survey – and the efforts of those challenging the status quo.
Scotland’s Culture and Tourism Secretary Fiona Hyslop has said local authorities will not be able to impose a levy on overnight visitors until 2021 at the earliest.
How can the ‘fix-it style' philanthropy of the mega-wealthy US tech entrepreneurs be applied to the arts in the UK? Michelle Wright shares her thoughts.
A welcome surprise of five-year funding provided the opportunity for Cardiff's Sherman Theatre to diversify its audiences, boost volunteering and develop a relationship with a time credit network. Julia Barry tells the story.
Annually Funded Organisations are suffering “damage to long-term sustainability”, having slashed marketing budgets in the face of core funding cuts of almost 40% over three years.
The Creative Land Trust, backed by seed funding of £4m from City Hall and £2m from Arts Council England, will seek additional finance from property developers and ask London councils to safeguard affordable workspaces.
The over-hyping of projects, initiatives and schemes really grates at a time when creative education in schools is being systematically sidelined. We need to realise what we are losing before it's too late, says Pauline Tambling.
A new document draws together relevant Government policies on topics including touring to EU countries, moving goods across borders, and adapting to a new intellectual property landscape.
Projects in Wakefield and the Thames Estuary have landed more than £4m each to boost the local creative industries, through a DCMS fund set up as part of the Government’s Industrial Strategy.
The funder has also set out plans to create a consultative assembly of arts professionals, after hearing calls to communicate more effectively with the sector.
A group of funders including the Paul Hamlyn Foundation and the Esmée Fairbairn Foundation are to test a set of key principles to make grant reporting a more “meaningful and mutually beneficial experience”.
Bristol Old Vic, England’s oldest theatre, is now also open as a visitor attraction and heritage destination. Emma Stenning explains why - and how - the venue embarked on this new venture.
