This year Jerwood Arts published a toolkit for cultural organisations, designed to encourage greater socio-economic diversity in the arts. Julie Lomax, Chief Executive of a-n The Artists Information Company, sees it as a starting point for helping solve the sector’s ‘class crisis’ – but arts consultant Chrissie Tiller isn’t so sure.
Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
Before praising the Culture Secretary for “responding so positively” to the financial crisis facing the cultural sector, Arts Council England would do well to take a step back and review its own evidence, says Liz Hill.
Arts Council England’s draft ten-year strategy aims to ensure its own bureaucratic survival and reveals the thinking of an organisation that imagines it is in charge. It is not a strategy for the cultural organisations it is meant to serve, says Robert Hewison.
The rise of populism, rejection from investors, a volatile labour market, climate change, digitisation and "economic crisis recovery": a new study surveys the threats and opportunities facing Europe's creative and cultural sectors.
Protesters say the funder’s draft strategy “neither addresses the urgency of the climate and ecological emergency, nor grasps the chance to trumpet boldly the pivotal role arts and culture play in bringing about societal changes”.
The Heritage Alliance is calling for greater recognition and funding to support the historic places and objects that underpin creative and cultural activities, challenging the stereotype of heritage as “a decorative incidental backdrop to contemporary creative work”.