Has Arts Council England got cultural democracy wrong? Steven Hadley and Eleonora Belfiore argue for a more thorough questioning of existing hierarchies.
Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
When James Haddrell took on the directorship of Greenwich Theatre over ten years ago, he didn’t know if the company had a future at all. Here he charts its imaginative route to recovery.
Laura Bailey explains how Kent County Council is aiming to integrate arts and culture into its commissioned services across the board - even in waste management.
Arts organisations are under growing pressure to demonstrate social impact. Emma Taylor-Collins explains how they can gain robust, high quality evidence to measure their success.
The Van Gogh Museum and Mauritshuis have said the decision to break with Shell was mutual, and sponsorship agreements that expired this summer would not be renewed.
How does a dyed-in-the-wool advocate for public subsidy of culture feel about social investment for the arts and cultural sector? Moira Sinclair reflects on what she learned as a committee member of the Arts Impact Fund.
The Creative Industries Federation advises arts organisations to carry out an audit of their direct dependency on the EU and consider setting up a European base.
Just one in ten of the arts organisations participating in Nesta’s matched crowdfunding programme said the effort they put into the project was too great in relation to the benefits.
Creative Scotland has announced details of a new Touring Fund offering organisations outside its Regular Funding portfolio the chance to make and tour new work.
As well as receiving core funding from the Lottery, Arts Council England’s National Portfolio Organisations were awarded over half of all Strategic and Capital funding last year.
Cultural spend has been reallocated or cut to zero at four more councils this year, and some local authorities are turning a profit through culture and heritage.
A report commissioned by Arts Council England finds that two-thirds of the sector want the body to advocate its value to central government, but only a minority think it should be measuring quality.
Grassroots culture undeniably delivers huge benefits to communities and local economies, but Martin Cox believes it could also resuscitate the funded cultural sector.
