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Roberta Comunian argues that traditional views on the benefits of arts sponsorship to business have been far too limited, as demonstrated by some recent collaborations in Italy.
Northern Trust’s employees are actively involved in a community partnership with the RPO, says Naomi Venn.
The AccessArt website has switched from being project-funded to self-sustaining thanks to its membership income. Paula Briggs tells the story.
As a performer, songwriter or producer are you receiving the royalties due to you? Keith Harris reports on the millions PPL collects from the licensing of recorded music in the UK and overseas.
In light of the current debate about ACE's distribution of funding, Carol Reid explains how the regional allocation formula built into Youth Music's grant-making process is leading to a more equitable balance across its portfolio.
In Alex Youel’s second article on membership schemes, he shines a light on operational aspects as the scheme grows.
Sarah Stannage warns that many arts organisations may be missing out on European and Government funding available through Local Enterprise Partnerships.