Whether in policy development, advocacy or nurturing talent, Executive Director of Clore Leadership Hilary Carty’s career is born of a passion for arts and culture.
As the U.Dance National Festival returns in an online format this month, Cameron Ball shares how the event connects the nation’s young dancers with the best in the industry.
Moving an orchestra into a school sparked a creative collaboration that can be replicated to benefit students elsewhere, write Anna Bennett and Adrian Bending.
'Decolonising the curriculum' has become a touchstone for educational institutions. But what does this mean in practice? Clare Connor and Lise Uytterhoeven examine the changes ahead.
Performers and providers often treat young children as a passive audience. Dr Angela Pickard says they can actively create and engage – and give feedback too.
Slung Low’s Alan Lane, disability champion Andrew Miller and Paul Hamlyn Foundation’s Moira Sinclair are among those receiving awards for their service.
588 more organisations have received Culture Recovery Fund grants in England worth £76m, but information about how many were unsuccessful is no longer being shared.
Dance thrives on physical contact and live audiences, so how can the country’s largest youth dance festival move to an online format? Cameron Ball explains.
We spend too much time trying to learn lessons from cities and apply them in other places, argues Brendan Keaney. It’s time to recognise that creative powerhouses can come in all shapes and sizes – and not always where you might expect.
Joseph Toonga, Artistic Director of Just Us Dance Theatre, looks back on how his career as a choreographer, dancer and teacher has been shaped by the family he grew up with and the family he found.
The National Institute of Dance Medicine and Science says it is disappointed not to have been consulted about the “accelerated” closure, which is likely to cause delays in rehabilitation.
