Dance thrives on physical contact and live audiences, so how can the country’s largest youth dance festival move to an online format? Cameron Ball explains.
We spend too much time trying to learn lessons from cities and apply them in other places, argues Brendan Keaney. It’s time to recognise that creative powerhouses can come in all shapes and sizes – and not always where you might expect.
Joseph Toonga, Artistic Director of Just Us Dance Theatre, looks back on how his career as a choreographer, dancer and teacher has been shaped by the family he grew up with and the family he found.
The National Institute of Dance Medicine and Science says it is disappointed not to have been consulted about the “accelerated” closure, which is likely to cause delays in rehabilitation.
A programme in Stockton-on-Tees has helped young people excluded from mainstream schools learn new skills, develop self-worth and show others what they can achieve, writes Rachele Rapisardi.
Circus was created to fill a gap left by ‘serious’ theatre. Now a new generation of performers is rejecting bureaucratisation to rediscover the artform's anarchic roots, writes John Ellingsworth.
Composer Gavin Sutherland, Principal Conductor of English National Ballet, pays homage the five people who have guided his professional and artistic growth.
Dance company Motionhouse’s partnership with a furniture manufacturer is as close as it gets – they work side by side. Louise Richards explains how the unusual collaboration developed.
A popular dance-based falls prevention programme offers effective treatment on the NHS, with a growing network of local groups helping older people maintain the benefits afterwards. Tim Joss tells the story.
Older adults living with chronic health conditions are improving their physical and mental wellbeing through the joy of South Asian dance, writes Claire Farmer.
Baker Richards helped the Royal Opera House kick-start a revolution in evidence-based marketing that increased revenues by £400,000 in six months. Tim Baker talked to Lucy Sinclair about the value of using data to drive decision-making.
A circus artist helped older people and children develop their confidence and communicaton skills in workshops at Guy’s and St Thomas’ Hospital, writes Emma Gladstone.
As well as being a studio space for independent dancers and choreographers, Glasgow's The Work Room is also an empowering artist-led support network, says Anita Clark.
