Brexit

Theatre company Really Useful Group has brought in a production of The Phantom of the Opera from China to tour the EU, because Brexit red tape made it “too expensive” to use a British one, a DCMS Committee has heard.

Really Useful Group promotes Andrew Lloyd Webber’s shows around the world. Its president, Jessica Koravos, told the committee she “would not dream of sending a UK production into Europe” under current circumstances.

She said it was “more straightforward and less expensive” to bring in a production from China 5,000 miles away.

The comment formed part of a DCMS Committee session on promoting Britain abroad, held earlier this week.

DCMS Chair Julian Knight said the situation “means that the mask has well and truly slipped on the true extent of the problems faced by the UK arts sector”.

“That one of the all-time great British musical impresarios would not now dream of taking a production rich in West End heritage into the EU from Britain speaks volumes about the impact of the government’s approach to supporting touring creatives.

“The current EU visa arrangements are proving economically disastrous for our cultural industries by forcing them to play second fiddle to their international competitors.”

Employment in the cultural industries has continued to grow despite the pandemic, official figures suggest

New data from DCMS covering the period October 2020 to September 2021 records an estimated 696,000 people working in culture - 8,000 people more than the same period across 2019 and 2020, and 20,000 more than before the pandemic.

The figures appear to illustrate the success of furlough and the failure of the Self-Employment Income Support Scheme in supporting the sector: what was a 50-50 split in employed and self-employed cultural workers is now 54% in favour of the employed.

There are also about 10,000 more culture professionals in working in London than in 2019/20.

Despite the advent of Brexit at the end of 2020, there are still as many EU nationals working in the sector.

The All-Party Parliamentary Group (APPG) on Music will hold a cross-party inquiry into the barriers and delays facing musicians touring in the European Union.

The announcement follows a letter to Boris Johnson, signed by APPG on Music Chair David Warbuton, demanding "urgent action" to address ongoing barriers.

The letter highlights the "lack of clarity" musicians looking to tour the EU are facing in the wake of recent DCMS annoucements.

"We need the Government to ramp up negotiations with nations like Spain where costly visas are still in place and to look for swift solutions to both the visa and transport issues facing musicians and crew," Conservative MP Warbuton said.

The APPG on Music will kick off its inqury with a first evidence session later this month.

The inquiry will focus on visas and work permits, carnets and instrument manufacturing materials, transport issues, the effect on the UK music industry, the effect on emerging artists and potential solutions. 

"This is a hugely welcome move by MPs from across the political divide," UK Music Chief Executive Jamie Njoku-Goodwin said.