Job Ladder – Miguel Oyarzun

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05 Jul 2018

Now Co-Director of both a major arts centre in Madrid and BE FESTIVAL in Birmingham – roles he shares with his partner Isla Aguilar – Miguel Oyarzun reflects on his career to date.

Only fools and dreamers

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28 Jun 2018

Setting up a new theatre in a former bus depot with no funding was a leap of faith for its two founders. Peter Tate and Anthony Biggs tell the story.

Midsummer tasters

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28 Jun 2018

For people reluctant to pay to see a full-length Shakespeare play, the RSC’s open-air, non-ticketed theatre staging amateur productions offers a relaxed alternative, says Nicola Salmon.

Taking bold steps

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20 Jun 2018

Few arts venues have programmed main stage shows starring performers with learning disabilities, but new diversity requirements for England’s NPOs could change that, says Gus Garside.

New 24-hour helpline for theatre professionals

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14 Jun 2018

The email and phone service, set up by Society of London Theatre and UK Theatre, will offer support on health and wellbeing issues.

Lynette Shanbury appointed to lead Polka Theatre

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08 Jun 2018

She will join the children’s theatre as Executive Director in August as it gears up for a major redevelopment.

Why miss out on a financial lifeline?

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07 Jun 2018

Tax relief can be a lifeline for many arts organisations, so why are so many smaller theatre companies and independent producers missing out, asks Clara Giraud.

From Wales to Lesotho

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30 May 2018

A group of actors with Down’s Syndrome travelled to Lesotho in southern Africa to help change attitudes to people with learning disabilities. Jon Dafydd-Kidd tells the story.

Sharing the spoils

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24 May 2018

Five London venues have jointly hosted a one-woman show – and then pooled the box office takings. Kaya Stanley-Money explains how it worked.

Empowering the box office

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17 May 2018

Changing the role of the box office at Vancouver’s summer Shakespeare festival from an operational one to a marketing one resulted in an increase in ticket revenue, says Ethan Joseph.

The added value of pop-up box offices

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16 May 2018

Hull Truck Theatre’s pop-up box offices in local supermarkets sell tickets to new audiences and also create valuable community relationships. Magda Moses tells the story.

From fantasy to reality

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02 May 2018

As new technologies open up the possibilities for creativity in stage performance, a new children’s theatre production showcases the potential of augmented reality. Sasha Kreindlin tells the story.

A happy workforce

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19 Apr 2018

With the Mayflower Theatre recently listed by the Sunday Times as one of the best organisations to work for, Robin Hancox explains the recent workforce initiatives that helped secure the listing.

Building a grassroots touring circuit

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12 Apr 2018

Presenting theatre in pubs and social clubs can help breathe life into communities and engage non-arts audiences. Rod Dixon explains how Red Ladder has created a touring model dependent on local promoters.

How we… make theatre with refugees

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23 Mar 2018

Neil Beddow explains how acta in Bristol overcomes the challenges of engaging migrant and refugee communities in theatre making. 

Partnering with charities

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21 Mar 2018

Working with a children’s hospice has allowed Birmingham Hippodrome to make its productions accessible to families who might otherwise miss out, and it has learnt a lot along the way, says Nichole Cooper.

We can’t leave it to chance!

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01 Mar 2018

Mandy Precious considers herself lucky to have discovered the arts, but are the next generation getting the same chances she did?

A dedicated director of business development

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28 Feb 2018

As a small but fast-growing touring theatre company run by part-time staff, Hubbub Theatre Company has benefited from appointing a Director of Business Development. Jo Kemp explains what her job entails. 

My Gurus – Natasha Wood

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22 Feb 2018

Artistic Director of Théâtre Volière Natasha Wood describes how death ‘snapping at her heels’ propels her on. That and Davie Bowie, of course.

Let’s take on panto

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15 Feb 2018

Has panto become culturally inappropriate, racist even? Oh yes it has, calls out Daniel York.

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