Even during the pandemic, virtual reality can offer a bridge into theatre for digitally curious audiences. Laura Mallows explains how Theatre-in-VR can reach those whose go-to artforms might normally be cinema, gaming or visual art.
Small theatres and companies are ideally placed to give their local communities a voice. But there will have to be new models of working, and funders will have to resist the strong pull to conserve the past, says Anthony Biggs.
If ACE only distributes the Government's support package to the organisations they have a current relationship with, then 80% of the sector will remain vulnerable and large scale venues as well as small will be at risk says Michael Ockwell.
As live-to-digital capture, broadcast and live-streaming are embraced more widely in the rush to build up work online, emerging technologies and creative approaches are also bringing new experiences in very different ways. Marcus Romer explains.
For many years ‘music for theatre’ wasn’t even recognised in the Olivier or Evening Standard awards, but the tide is turning. Paul Clark sees the increasing confidence and ambition of sound and music, even in ‘well-made plays’.