Swansea venue purchased under Music Venue Trust scheme

03 Oct 2024

The Bunkhouse, a 235-capacity music venue in Swansea city centre, has been purchased under a scheme run by the Music Venue Trust (MVT).

The venue is the third purchase made under the MVT’s #OwnOurVenues scheme by Music Venue Properties (MVP), an independent charitable society formed by MVT.

The Bunkhouse’s operators have signed a “cultural lease” with MVP, allowing it to use the building as long as it operates as a space for grassroots live music for the local community.

MVP has committed to offer the venue a rent reduction and contribute towards building repairs and insurance.

MVT says the venue will now have “permanent protected status”.

In 2023, MVP announced it had raised £2.3m through community shares, donations and loans.

The purchase of The Bunkhouse follows MVP’s acquisition in October 2023 of The Snug Coffee House in Greater Manchester and The Ferret in Preston in May 2024.

Royal Academy of Music increases fundraising goal to £100m

03 Oct 2024

The Royal Academy of Music has increased its target for a major fundraising campaign to £100m after surpassing its original goal of £60m.

The previous objective was set in 2022 to mark the academy’s bicentenary. The conservatoire says it has now exceeded this, raising more than £73m so far.

The new target is the largest in the institution’s history. Through philanthropic support received during the campaign so far, the academy has invested in areas such as scholarship funding, widening participation, access to artistic collaborators, endowed posts and upgrades to its facilities.

Jonathan Freeman-Attwood, Principal of the Royal Academy of Music, said: “Where philanthropy used to be the icing on the cake on top of significant public funding, we now know that it is core to our existence and success.

“I believe we can claim that we are taking the lead in showing how, in this country, our most significant cultural educational organisations can thrive in the here and now and build for the future.”

Oasis drop dynamic pricing for US tour

30 Sep 2024

Rock band Oasis has said it will not use dynamic pricing when tickets go on sale for the US leg of its tour following widespread backlash over the cost of tickets.

The BBC reports that in a statement announcing dates in the US, Canada and Mexico, the group's managers said they wanted to "avoid a repeat of the issues" faced by fans in the UK and Ireland.

When the band's UK dates went on sale, some fans were charged more than £350 for tickets with an initial value of £150.

The UK's competition regulator has launched an investigation into whether Ticketmaster breached consumer protection law.

"It is widely accepted that dynamic pricing remains a useful tool to combat ticket touting and keep prices for a significant proportion of fans lower than the market rate and thus more affordable," the statement issued by the group's managers said.

"But, when unprecedented ticket demand (where the entire tour could be sold many times over at the moment tickets go on sale) is combined with technology that cannot cope with that demand, it becomes less effective and can lead to an unacceptable experience for fans."

Orchestras for All: Redefining inclusivity

Young musicians of Royal Birmingham Conservatoire
25 Sep 2024

Orchestras for All exists to fill a gap in music education. With its deep commitment to creative inclusivity, Katie Villa thinks it has a powerful impact. 

From Olympians to musicians: What sport can teach the arts

18 Sep 2024

Why are athletes praised for being elite, while the same epithet applied to musicians carries a connotation of being exclusionary? asks Michelle Robinson

Coldplay to donate 10% of show earnings to grassroots venues

Coldplay onstage at Global Citizen Festival in Hamburg in 2017
17 Sep 2024

Coldplay's UK stadium shows will also see priority for local residents and a limited number of 'affordable' tickets.

DfE launches £5.8m music education programme 

A child playing a piano
16 Sep 2024

Young Sounds UK will work in collaboration with local Music Hub partners to deliver the four-year programme.

Oasis ticket sale may have breached consumer law

Image of Oasis performing
12 Sep 2024

Ticketmaster and Oasis are being urged to refund the difference between the initial cost of tickets and the price some buyers paid because of dynamic pricing, which more than doubled the cost in some instances.

UK live music sector revenue tops £6bn for first time

Audience members at a gig
12 Sep 2024

Research finds growth in total revenue for the live sector has been driven mainly by increased income from concerts.

Charity launches daytime events at independent music venues

12 Sep 2024

Independent Venue Community says it wants to unlock the daytime potential of independent music venues, starting with a pilot programme offering young people behind-the-scenes access to gigs.

Gardiner to lead new orchestra and choir

Sir John Eliot Gardiner conducting
10 Sep 2024

Sir John Eliot Gardiner returned to conducting earlier this year after he assaulted a soloist at a concert in August 2023, which led to him parting ways with Monteverdi Choir & Orchestras.

Toolkit to tackle ‘prevalent’ sexual harassment in orchestras 

Orchestra musicians turn the page
29 Aug 2024

The guidance for orchestra managers includes a checklist offering advice on different settings, including in social situations and on tour.

US musicians reeling after notation software withdrawn

28 Aug 2024

Theatre professionals have reacted with disbelief after music technology company MakeMusic revealed plans to withdraw its popular music notation software program Finale after over three decades.

Musicians in the US, where the programme is widely used, have criticised the move, which has sparked widespread concern among composers, copyists, archivists and publishing companies that rely on the software and will now have to invest in time-consuming conversion of their content libraries, as Finale files do not export in their entirety.

Finale President Greg Dell'Era said: "Finale is no longer the future of the notation industry - a reality after 35 years, and I want to be candid about this. Instead of releasing new versions of Finale that would offer only marginal value to our users, we’ve made the decision to end its development." 

Users can no longer buy or update Finale and its related products, including PrintMusic and Notepad, but they will continue to work on devices where they are already installed. From August next year, it will not be possible to authorise or re-authorise onto new devices.

One of a handful of notation products on the market, Finale’s main competitors include Sibelius, made by Avid and prevalent in the UK, and relative newcomer Dorico, which MakeMusic has recommended to its users.

Matt Smith from London Music Preparation Ltd said that although the closure's impact would be “devastating” for the US and Broadway, he anticipated the direct impact to the UK to be “minimal” as "the vast majority" of UK organisations and individuals use Sibelius.

However, with Finale’s endorsement of Dorico, he warned that a mass sector shift could see users of other platforms face a simillar fate further down the line. 

Writing on Instagram, film, TV and musical theatre composer Marc Shaiman said: "To all my compatriots freaking out about today’s announcement, um, it was right there in the name all along. FINALE! As Maya Angelou said, 'When someone tells you who they are, believe them!'"

Massive Attack successfully pulls off ‘zero emissions’ festival

Massive Attack performing in Paris, 2019
27 Aug 2024

The one-day event in Bristol, attended by over 30,000 people, tackled the emissions emitted by transport, food, energy and waste at a music festival.

North West suffers most music venue closures

21 Aug 2024

Analysis of grassroots music venue closures during last year finds the North West to be the most impacted area, followed by London, then Yorkshire and the Humber.

Government to investigate ticket touting

Daytime Wembley Park Boulevard street view, Taylor Swift's Eras Tour In England: a popular photo spot for Taylor Swift fans on the Spanish Steps At Wembley Stadium
20 Aug 2024

Labour government says it will introduce consumer protections on ticket resales and ‘put a stop’ to ticket touting.

Music education 'must adapt to industry demands'

15 Aug 2024

A report has called for music education to incorporate practical and industry-relevant content and focus on skills such as networking and resilience.

Festival organisers criticised over entry delays in heat

13 Aug 2024

People attending a major concert criticised organisers after they were left queuing for several hours in hot weather to get in.

The BBC reports that thousands of people attended Bludfest, headlined by Yungblud, at the National Bowl in Milton Keynes on Sunday (11 August), but long waits to get in caused some to faint.

One woman who attended said she and a friend had joined the queue at 12.45pm ahead of the gates opening at 1pm. They had hoped to watch an act at 3.35pm, but were still queuing at 4.15pm.

"Many people fainted; threw up. People went home and kids were overheating," she said.

"We had been begging for water and were told we'd get it once we were in the venue... I eventually passed out and never made it into the venue."

Music education hubs: final two lead organisations named

06 Aug 2024

Hub lead organisations in South West London and South Yorkshire have been announced ahead of the start of the new music hub investment programme in September.

Conductor withdrawn from Barbican concerts amid harassment claims 

05 Aug 2024

Planned appearances by French conductor François-Xavier Roth with the London Symphony Orchestra (LSO) have been withdrawn amid allegations the 52-year-old sent inappropriate text messages to musicians he worked with.

Instead, Thomas Adès will conduct the two concerts scheduled at the Barbican in October, with the LSO thanking the British composer for “stepping in”.

Following publication of sexual harassment allegations by the French investigative magazine Le Canard enchaîné in May 2024, Roth also suspended his work with the Gürzenich Orchestra and Cologne Opera to give them “the chance to clarify and address the situation”. 

He said at the time: “Due to the release of a news article pointing out that I have sent inappropriate text messages to musicians in the past, the orchestras I lead will be extensively investigating the behaviour cited and collecting information on the allegations.” 

“I have decided to stop conducting the Gürzenich Orchestra temporarily in order to permit a peaceful investigation of these matters. I apologize to anyone I may have offended.”

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