God? Art? Heritage? Education? In the face of a financial reckoning and a crisis of balance, can cathedral choirs harness their transformational potential before becoming an irrelevant heritage industry for the soul, asks Thomas Leech.
Proposals for radical change would ordinarily be met with derision by most orchestra boardrooms, says Julian Forbes. But current circumstances make it essential to think long and hard about how well their product is aligned with a market, and how it can become more competitive.
For many years ‘music for theatre’ wasn’t even recognised in the Olivier or Evening Standard awards, but the tide is turning. Paul Clark sees the increasing confidence and ambition of sound and music, even in ‘well-made plays’.