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Alastair Fairley reveals how a community of artists and a hard-nosed drive for publicity put Hastings firmly on the cultural map
Leigh Sneade describes how an innovative membership scheme took a Norwich art gallery into the heart of an international community
June will see publication of the last ever issue of a-n Magazine after 32 years, making space for new programmes from a-n The Artists Information Company. Susan Jones reflects on changing times
By collaborating with staff at local doctors’ surgeries, Dulwich Picture Gallery has found a sustainable channel for reaching out to isolated elderly individuals. Madeline Adeane explains
Sarah Shalgosky sees university galleries as playing a broad and valuable role in the wider context of the visual arts
What makes a good client for a major capital building project? Alan Tovey makes some suggestions
Hayward Touring takes work by hot contemporary artists into the UK’s cultural ‘cold spots’. Roger Malbert explains what goes on behind the scenes
The artz trail is taking art out of the gallery and onto the streets of Brighton. Nick Dunn explains the technology behind the project
Victoria Pomery describes the remarkable impact of Turner Contemporary on Margate
Dany Louise issues a rallying cry to artists
Hilary Gresty reflects on the ‘complex behemoth’ that was put in place to repair the fragmentation of the visual arts sector.
Visual records have always been an important element in the work of scientists, and the Natural History Museum is celebrating this with the opening of its new permanent gallery.
How does a small regional arts organisation make the most of an interest in science and a location on the edge of one of the greatest natural laboratories on earth? Polly Gifford describes a collaboration that is proving to be the key.
Steve Whettem on an unusual gallery, run by the artists it exhibits
Michael Tooby sets the record straight on the development of new spaces for the contemporary arts in Wales