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An annual visual arts event in Brighton seeks to take visitors away from the usual tourist hotspots in the centre of the city, says Judy Stevens.
Community members and arts and heritage organisations can all benefit from volunteering if some basic principles are followed. Abigail Kay explains what good practice looks like.
Through Tate's Circuit programme, galleries across the country are illuminating the voices of young people and delivering significant cognitive, social and emotional benefits, says Mark Miller.
Dany Louise looks into the reasons why many cities welcome biennials of art events while others are less receptive.
Academics and one of the country’s major art galleries have joined forces in a model of collaboration which, say Sue Hayton and Natalie Walton, challenges each other’s practice and thinking.
Zoe Dunbar, the new Director of the Centre for Chinese Contemporary Art, takes us through the steps of her career path.
Maria Balshaw describes the career in visual arts and academia that led her to become Director of the Whitworth and Manchester City Galleries.
Now she has left a-n, Susan Jones reflects on those who have helped her over the course of her career.
Glasgow will be hosting the Turner Prize next year for the first time. Marie Christie believes that a partnership approach will make the event stronger and its reach wider.
Eloise Malone tells how she has transformed a former bank in Plymouth into an art gallery and creative space for vulnerable young people.
Free unlimited entry to exhibitions is among the benefits being offered to those who join.
Sheila McGregor takes us through the steps of her career in the visual arts, which led her to the new frontier that is Axisweb.
Tate has faced an Information Tribunal to defend its right to keep details of its financial relationship with the oil company a secret.
Visual arts activities for young people are more important than ever, since the decline in the teaching of arts subjects in schools, says Jane Sillis.
Creating a level playing field for visual artists is the aim of online gallery Outside In. Kate Davey tells how its surgery days show artists how to display their work online.
The Prison Arts Foundation employs artists-in-residence in prisons in Northern Ireland. Alison Smyth explains their approach and achievements.
Finding out what young offenders are good at and drawing it out of them can change their lives. Jane Bryant discusses Artswork’s programmes based around the Arts Award.
What is quality of experience in the contemporary visual arts and how do we measure it? Grace Davies discusses the findings of a research project.
As he takes the helm at the House of Illustration, Colin McKenzie reflects on his career, which started with him becoming the first ever male secretary at the Barbican Centre.
Crisis looms as publicly-funded galleries respond to financial squeeze by expecting professional artists to work for non-financial rewards.