First World War centenary commemorations proved that large-scale cultural projects can effectively mark nationally significant events. The question now is ‘what next?’, says Jane Ellison.
The LightNight festival initially aimed to showcase Liverpool's artists to outsiders - but it is now more concerned with galvanising the local cultural scene, writes Laura Marie Brown.
Madani Younis said "institutions that have historically not given a shit are saying 'we’re going to start caring'", but called for a faster pace of change.
What is it like to lead a large and complex organisation? Having just spent some time as an interim chief executive, Matthew Brown reveals what he’s learnt.
Royal Court Theatre, Shakespeare’s Globe and National Theatre Wales are among the organisations calling for a creative response to the looming ecological crisis.
What makes socially engaged and participatory arts projects successful? Elizabeth Lynch and Miriam Nelken talked to artists, commissioners and participants to find out.
A recent survey found that four in five Londoners would contribute at least £2 towards public art in their local area. Marine Tanguy and Vishal Kumar explore the potential role of citizens in new commissions.
Calls for unity have been made following comments accusing Arts Council England of appropriating a radical movement and likening the national funder to Nigel Farage playing the sitar at WOMAD festival.
Private sector money linked to public sector policy is giving a boost to employment in public art and the number and value of projects being completed.
When you look at a painting in a gallery, do you ever wonder how it got there? David Gosling explains how to stay cool and focused whilst moving priceless pieces of art.
