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The city has no intention of shirking difficult challenges in its year as UK City of Culture, writes Chenine Bhathena.
MPs have championed gardens as an artform and argue their contribution to the creative economy must be “explicitly recognised”.
Challenging the notion of a ‘hard-to-reach community’ in Luton, Imrana Mahmood explores the need to create pathways that lead to meaningful inclusion.
A Lords Committee heard that Thanet has seen 84% growth in creative businesses between 2013 and 2016, following a long-term programme to support arts and culture.
The number of partnerships connected to the Without Walls consortium, one of Arts Council England’s new core-funded organisations, will expand to involve 36 members.
The pledge to set up the programme is part of the region’s first ever cultural strategy, which will run for five years until 2024.
14-18 NOW’s five-year programme included projects in 220 locations across the UK, and was mostly accessible to the public for free.
London Mayor Sadiq Khan said the borough’s diversity was ‘an asset to be unlocked’.
How do outdoor arts have the potential to reach audiences other artforms can’t, and how can we best support the sector, asks Penny Mills.
Losing NPO funding was devastating for Dance Manchester, but it has liberated the company to pursue its own path driving placemaking through outdoor work, says Deb Ashby.
For people reluctant to pay to see a full-length Shakespeare play, the RSC’s open-air, non-ticketed theatre staging amateur productions offers a relaxed alternative, says Nicola Salmon.
Alison Fordham explains how IF: Milton Keynes International Festival’s programme of outdoor events is a key audience development and placemaking tool for the town.
Partnering with Areas of Outstanding Natural Beauty has created opportunities for Activate to bring exciting contemporary art to stunning outdoor settings. Kate Wood explains how.
Outdoor events have been key to attracting tourists to Kent’s coastal towns and driving culture-led regeneration, says Sarah Dance.
Taking an outdoor show on tour presents many challenges, quite different to those for venue-based touring. Irene Segura explains how a consortium model is supporting artists and companies.
A research project examining Leicester’s 24 arts festivals uncovered interesting insights into audience behaviour and preferences. Richard Fletcher discusses the findings.
An immersive theatre performance lasted 13 hours – the time it took to fly from Heathrow to New York via Iceland. Kate Hargreaves tells the story.
Volunteering in the arts should be an enriching experience, says Cathryn Peach. She shares five tips for designing programmes that motivate, empower and inspire volunteers.
For Joe Mackintosh the first three years of the Creative People and Places investment programme has passed in the blink of an eye against an agenda that is generational in scale.
Tourism has been in decline in England’s seaside towns for years, but now a network bringing world-class circus and street arts to the coast is enticing the tourists back. Joe Mackintosh tells the story.