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Kirsten Bodley believes that creativity is crucial to scientific and technical innovation, and in turn technical skills have a huge role to play in artistic progress.
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When public funding dried up, NEoN, Dundee’s digital arts festival, faced a stark choice: adapt or die. Lyall Bruce tells the story.
Peter Tullin is optimistic that there is a huge demand for a form of cultural entrepreneurship where people and experiences that were formerly unconnected are brought together.
What does working smarter in the arts sector mean? Julie Tait describes a project exploring staffing, technology and audience data.
Art and technology should be in the curriculum for the creative industries to thrive, says Nesta.
Oonagh Murphy’s research into how museums are engaging digitally with their audiences took her to New York. Here she reports on what she saw.
Clayton Shaw describes how a volunteering project in digital technology appealed to young people in Birmingham.
Live streaming offers arts organisations the potential to develop new income streams by creating and presenting work in different ways. It isn’t just about showing your work for free, says Jon Pratty.
At the ‘Shift Happens’ conference, Dave Moutrey gave us a glimpse of the digitally enabled organisation of the future
Harper Ray explains how Globe Education is producing education resources that are as vivid for those further afield as for those attending the production
Katy Carr sees an online future for literature