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Peter Tullin is optimistic that there is a huge demand for a form of cultural entrepreneurship where people and experiences that were formerly unconnected are brought together.
What does working smarter in the arts sector mean? Julie Tait describes a project exploring staffing, technology and audience data.
Art and technology should be in the curriculum for the creative industries to thrive, says Nesta.
Oonagh Murphy’s research into how museums are engaging digitally with their audiences took her to New York. Here she reports on what she saw.
Clayton Shaw describes how a volunteering project in digital technology appealed to young people in Birmingham.
Live streaming offers arts organisations the potential to develop new income streams by creating and presenting work in different ways. It isn’t just about showing your work for free, says Jon Pratty.
Ellie Manwell explains how bringing digital technology into the gallery space is helping Dulwich Picture Gallery enhance the visitor experience and connect with audiences
At the ‘Shift Happens’ conference, Dave Moutrey gave us a glimpse of the digitally enabled organisation of the future
Harper Ray explains how Globe Education is producing education resources that are as vivid for those further afield as for those attending the production
Katy Carr sees an online future for literature
Skinder Hundal sees the merging of digital and traditional as opening up opportunities for new relationships between artists and audiences
Lesley Anne Rose describes Stellar Quines’s journey from analogue to digital – and the bright light at the end of the tunnel
This September Southbank Centre will showcase twenty-three music and dance pieces created by an international band of seventy-two members. Justin Spooner explains how digital technology was integral to the project
Producing a programme for a digital audience requires many of the same skills as any other type of programming, as young people in Bristol are discovering for themselves