What would the digital performing arts look like if the arts had their own software platform, responsive to artistic needs? Ron Evans explores the possibilities.
Families are willing to pay as-usual prices for digital and outdoor arts events, but organisations' offerings must meet their specific needs, researchers say.
Taking indoor activity into outdoor spaces offers one possible solution to the challenge of social distancing. Kate Rolfe explores how it’s being done.
70% of audiences say they are willing to pay for digital events as full capacity shows remain on ice. But the shift towards user-pays models "will be a challenge," experts warn.
Even if people are willing to pay for digital performances, are they willing to pay enough? Robin Cantrill Fenwick examines the data emerging from the pandemic’s rush to digitise, and where the income opportunities lie.
The pandemic didn’t stop Music in the Round running the Sheffield Chamber Music Festival online – and learning from the experience. Jo Towler shares the outcomes, and the lessons for the future.
The costs of making and distributing music have both come down, but streaming income is very low. John Funge examines the financial challenges facing artists trying to promote their own music.
In the current climate it’s time to adapt digital fundraising strategies and look at how your data can help boost online donations, says Lucy Costelloe.
Despite the blow the lockdown has dealt to its plans, dreams, ambitions and finances, Tomorrow’s Warriors are managing to think positively about the future. Janine Irons explains how.
As live-to-digital capture, broadcast and live-streaming are embraced more widely in the rush to build up work online, emerging technologies and creative approaches are also bringing new experiences in very different ways. Marcus Romer explains.
In the wake of the coronavirus pandemic it may become harder still for talented people to break into the media, but the New Creatives Network is still creating opportunities for young artists to do just that. Eleanor Adams tells the story.
As the Arts and Humanities Research Council sets out to demonstrate the role digital developments can play in arts and culture, some academics believe it is overstepping its brief.
Fine art students at the University of Lincoln are determined not to let coronavirus ruin their degree show. Emma Brice explains how they’ve been harnessing social media to give profile to their now-online celebration of 3 years’ hard work.
As ad hoc agreements are hastily put in place to enable performances to be streamed to audiences at home, AP has discovered an ecosystem that lacks a transparent process for creatives to claim repeat fees for recordings of their work now going online.
Interest in virtual museum tours was shortlived, suggests US research, which finds that ‘things to do with kids’, ‘rainy day activities’ and ‘date night’ ideas are having more enduring appeal.
Being fleet of foot and digitally prepared means MSL is ahead of most in re-configuring its programme online. But in a landscape that we don’t yet understand, questions remain about its longer-term viability. Margaret Sheehy tells the story.
