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Arts organisations benefited from the digital development opportunities presented by The Space, but limited marketing, safe content and technological barriers undermined its impact.
Caroline Greener believes that cultural centres should be reaching out to those who will never physically visit their venue.
With so many mergers taking place, Mahmood Reza advises that careful consideration is given well in advance to bringing together respective IT systems.
Marcus Romer offers a suggestion to anyone who wants to find out how they will be working three years from now.
Wales is to step up support for creative technology projects by supporting producers to embrace the digital context.
John Birchall discusses the potential conflicts and tensions behind creating future-proof web content.
Dianne Greig explains how Glasgow’s galleries and museums are collaborating through the WhiteNOISE project to develop the city’s audience for the visual arts.
Kirsten Bodley believes that creativity is crucial to scientific and technical innovation, and in turn technical skills have a huge role to play in artistic progress.
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When public funding dried up, NEoN, Dundee’s digital arts festival, faced a stark choice: adapt or die. Lyall Bruce tells the story.
Peter Tullin is optimistic that there is a huge demand for a form of cultural entrepreneurship where people and experiences that were formerly unconnected are brought together.
What does working smarter in the arts sector mean? Julie Tait describes a project exploring staffing, technology and audience data.