Exclusive marketing

09 Apr 2012

Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?

Why create? The audience and art

09 Apr 2012

In a blog series examining the psychological payoff of art and creativity, Cara Courage reflects on why we look at art

Why we’re still better than robots

09 Apr 2012

Al Lyle sums up what he learnt about music and the brain at a recent seminar

Creativity Ltd.

19 Mar 2012

Chrissie Tiller responds to Culture Capital Exchange’s Creativity and Business: Connectivity, Values and Interventions conference

If you don’t ask

19 Mar 2012

Is the arts and culture sector missing a trick? Christopher Goodhart urges wider action to promote legacy giving.

Why create? The artist and art

19 Mar 2012

In a new series looking at the psychological payoff of art and creativity, Cara Courage begins by examining why artists make art.

Gambling on success

19 Mar 2012

The arts sector should be hoping that Camelot succeeds, says Liz Hill

Henley reviewed

19 Mar 2012

The recently published Henley Review of Cultural Education could have wide-ranging implications for the arts sector. AP invited Kenneth Olumuyiwa Tharp and Steve Moffitt to share their reflections on it

What’s in a name?

27 Feb 2012

Ellen Carr asks at what point can you call yourself a professional?

Fund-raising the game

27 Feb 2012

Christopher Goodhart believes the route to more successful fundraising comes through thinking laterally & testing new channels

Not 'because we're worth it'

27 Feb 2012

David Dixon unpicks the issues surrounding investment finance for cultural organisations

When art becomes a dirty word

27 Feb 2012

Mindee Hutchinson asks when did the art world stop taking responsibility for the art it promotes?

Open minds fill pockets, dudes

27 Feb 2012

The arts sector should be more open to ideas from elsewhere, suggests Liz Hill

The receiving end

06 Feb 2012

Glen Pearce reconsiders Laura Brown’s thoughts on the press officer’s ‘best contact’

A tale of two sectors

06 Feb 2012

What is the future for fledgling artistic endeavour as funding cuts start to bite, asks Liz Hill.

They know where you live

06 Feb 2012

Laura Brown questions whether the regional PR officer’s ‘best contact’ really is one of those national names

Aboard the learning boat: Expose yourself

06 Feb 2012

Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery

With a little help from your friends

06 Feb 2012

Jennifer Cooling explains why buddying up to your local tourism body could encourage a wonderful, mutually-beneficial relationship

Producing equality

06 Feb 2012

Dan Baker on what can be done about gender inequality in theatre

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