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Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?
In a blog series examining the psychological payoff of art and creativity, Cara Courage reflects on why we look at art
Al Lyle sums up what he learnt about music and the brain at a recent seminar
Chrissie Tiller responds to Culture Capital Exchange’s Creativity and Business: Connectivity, Values and Interventions conference
Is the arts and culture sector missing a trick? Christopher Goodhart urges wider action to promote legacy giving.
In a new series looking at the psychological payoff of art and creativity, Cara Courage begins by examining why artists make art.
The arts sector should be hoping that Camelot succeeds, says Liz Hill
The recently published Henley Review of Cultural Education could have wide-ranging implications for the arts sector. AP invited Kenneth Olumuyiwa Tharp and Steve Moffitt to share their reflections on it
Ellen Carr asks at what point can you call yourself a professional?
Christopher Goodhart believes the route to more successful fundraising comes through thinking laterally & testing new channels
David Dixon unpicks the issues surrounding investment finance for cultural organisations
Mindee Hutchinson asks when did the art world stop taking responsibility for the art it promotes?
The arts sector should be more open to ideas from elsewhere, suggests Liz Hill
Glen Pearce reconsiders Laura Brown’s thoughts on the press officer’s ‘best contact’
What is the future for fledgling artistic endeavour as funding cuts start to bite, asks Liz Hill.
Laura Brown questions whether the regional PR officer’s ‘best contact’ really is one of those national names
Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery
Jennifer Cooling explains why buddying up to your local tourism body could encourage a wonderful, mutually-beneficial relationship
Dan Baker on what can be done about gender inequality in theatre