No one in need should put any faith in this toothless ‘regulator’, which has just spent two years squirming out of its responsibility to regulate, writes Christy Romer.
Stunting community and voluntary arts organisations by restricting access to capital funding will hurt the whole sector in the long term, warns Emma Harvey.
Representatives of Music Venue Trust and the Association of British Orchestras react to UK Music’s provocative call for opera funding to be redistributed.
What – or who – needs to change to achieve cultural democracy and how can we remove the tension between official and everyday culture, asks Martin Cox.
Creative Scotland may have been short-sighted to cut funding to Scottish Youth Theatre, but something needs to be done about oversubscription to our arts funding streams. Graham Main suggests some radical solutions.
ABRSM’s grade eight piano exam syllabus features no women composers this year. Anna Bull calls for music education to start celebrating classical music as a living tradition.
How much longer will the UK government support the arts? Andrew Pinnock fears all signs point to it adopting a much more commercial approach in the future.
Following revelations of elitism in music education, Principal of the Royal Conservatoire of Scotland, Professor Jeffrey Sharkey, says it’s time to put the arts back in the heart of primary and secondary schools.
Over 100,000 children a year will lose the chance to study the arts when the EBacc becomes compulsory in schools, and the least privileged will lose out most. Is this a conspiracy or a cock-up, asks Liz Hill.
Once a curator, now a producer, Mary Paterson calls for the artist-producer relationship to be re-imagined as something more creative – and less about social media.
Researcher Stephen Pritchard raises concerns that the latest evaluation of ACE’s Creative People and Places programme was based on fatally flawed methodology.
