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Glen Pearce details the frustrations of theatre’s most influential audience
Playing it safe may be the most dangerous option
Chrissie Tiller argues for the value of an ‘austerity Olympics’
In the first installment of our new series, Nick Sherrard reveals his unusual New Year’s resolution
Kenn Taylor examines the unsavoury side of arts media coverage in regional Britain
Liz Hill reflects on internships and volunteering
David Dixon volunteers suggestions for the future of arts fundraising
Liz Hill asks why XXXXXXXXXX [redacted] if there’s nothing to hide?
Rebecca Ritchie Timms gives a graduate’s reaction to ticking funding boxes
Ian Lambert says latecomers should know their place – at the back
Christopher Goodhart recommends a simple way to increase your fundraising at a time when every penny counts.
Dany Louise issues a rallying cry to artists
Should an usher pass comment on a show? Ian Lambert weighs ups the pros and cons.
London-centricity still overshadows theatre awards, says Glen Pearce
Hilary Gresty reflects on the ‘complex behemoth’ that was put in place to repair the fragmentation of the visual arts sector.
Competing for funding isn’t quite the same as applying for funding, says Trevelyan Wright
Where does ‘inclusion’ fit in the parallel landscapes of ‘youth arts’ and ‘older people’s arts’, asks David Slater
Will sitting quietly in the dark appeal to the next generation of theatre-goers, asks Ellen Carr.
The cost of change isn’t a good enough excuse for ignoring climate change