In recent years, as climate change has intensified, so has controversy around fossil fuel funding. Chris Garrard says we must learn from our leading museums’ mistakes.
While many arts and culture organisations are concerned about their financial viability, emotional resilience will also be essential to seeing out the pandemic, argues Robin Cantrill-Fenwick.
While we were distracted by news of politicians partying during lockdown, last month a Bill was passed that changes rights to UK citizenship. Amanda Parker examines how it threatens all our creative lives.
Funding ‘criteria’ tell you what a funder will or won’t support, but organisational ‘constraints’ ultimately determine what gets funded, says Kevin Osborne.
On 15 December Nadine Dorries wrote to all Arts Council England’s NPOs about measures to increase access to the arts. It was distributed by ACE. An anonymous NPO replies.
When it comes to Equity, Diversity, Justice and Inclusion, Amanda Parker shares what happens when you fail to read the room – and what you can gain when you get it right.
When and why did the art world decide that everyone’s creativity should be celebrated and supported? What change does it promise, and what will it deliver? François Matarasso has been reflecting.
A new strand of political correctness is reshaping conversations on race: the idea of ‘lived experience’ driving the debate. While the intention is good, Kevin Osborne argues it throws up new questions.
A reluctance to share opinions openly is a significant block to achieving racial equity. But as Kevin Osborne argues, without understanding prevailing attitudes to racial inequity we are unlikely to reach effective solutions.
Universities in the capital are set to lose nearly £80m in funding for arts courses. Diana Beech fears this will further widen inequalities in sector training.
While the appointment of Nadine Dorries to lead DCMS has been greeted with widespread dismay by the cultural sector, Robert Hewison reflects on a deeper malaise at the heart of Government.
The fight for racially equitable funding in the creative industries is what drove Kevin Osborne to set up Create Equity. Here he argues the need for Black and White leaders to work together to make it happen.
The UK City of Culture is a DCMS success story by any standards. But, as Andrew Dixon explains, serious flaws in this year’s bidding process have been likened to “sitting an exam before you’ve read the syllabus”.
Covid, the murder of George Floyd and the rise of the Black Lives Matter movement all led to an outpouring of statements committing to action on racial inequality in arts funding. Kevin Osborne’s initial optimism about that has since been tempered.
A is for absurd
Taking the 'new normal' seriously means accepting some changes might need to stay.