As the Boosting Resilience programme draws to a close, Evelyn Wilson outlines how the work, ideas and opportunities developed will be shared with the sector.
The Creative Land Trust, backed by seed funding of £4m from City Hall and £2m from Arts Council England, will seek additional finance from property developers and ask London councils to safeguard affordable workspaces.
It is right to celebrate those local authorities committed to funding culture, but long-term sustainability may depend on developing entirely new approaches, argues Gary Topp.
He is now Managing Director of the Society for All Artists, but Carl Gamble’s career began by rising up the ranks at retail giant Next. Here he looks back on the steps in his career and how they have shaped his leadership style.
Over 70% of respondents now working in music, the visual arts or museums/heritage come from households where the main income earner worked in a professional or senior managerial occupation.
The city region authority is offering a prize of £800 for a “simple but visually impactful” design to be used across print and online promotional materials for the £200k a year initiative.
The budget allocation for 'Creative Scotland and other arts' includes £10m for Screen Scotland and a £6.6m boost for the regularly funded portfolio to compensate for reduced lottery income.
Making a product or service scarce or exclusive has become an effective way to attract customers in other sectors. Tim Baker explores how it might work in the arts.
Tate, the British Museum and Imperial War Museums have all recently completed drives to gain support for large-scale capital work, but economic changes also played a part in the decline.
As arts and cultural organisations rise to the challenges facing the sector, some are adopting new and ground-breaking templates for their relationships with business. Patrick Towell surveys the changing landscape.
Resilience in the arts may be linked with finance - but for Debbie Richards, it’s really about making bold and exciting changes to realise big ambitions.
How does a dyed-in-the-wool advocate for public subsidy of culture feel about social investment for the arts and cultural sector? Moira Sinclair reflects on what she learned as a committee member of the Arts Impact Fund.
