Partnerships with local authories are crucial to Orchestras Live’s work. Henry Little reveals how they’ve maintained relationships through challenging economic times.
Kelly-Anne Collins shares the story of how one dance support network diversified – creating a platform to showcase new work – and may just have triggered a revolution for dance in Northern Ireland in the process.
A YouTube network dedicated to the arts, in receipt of significant government funding and aiming to attract not millions but billions of views, just had to be investigated. Christy Romer spoke to Simon Walker of Canvas.
People who 'don't do arts stuff' can't be expected to come to an arts event just because it's free, family-friendly and fun. TC Peppercorn explains why.
As part of a project to build new audiences for orchestral music, Rachel Escott explains her ‘stumbled across’ tactic to bring music to people in everyday places.
The University of Bath – a university that offers no arts courses – recently launched a new arts venue, but its artists in residence programme has been reaching out to staff, students and the local population for years, says John Struthers.
Online sales of art may have grown significantly in the past year, but artists and galleries must work hard to attract a digital audience, warns Eric Sparre.
In true Bertrand Russell style, Chrissie Tiller suggests that we turn the burden of proof on its head – and prove that the arts and culture are of no value to anyone.
