While the EBacc may be causing concern for the status of the arts in UK schools, there are opportunities to ensure creativity is at the heart of education in lower-income countries around the world. Joe Hallgarten makes the case.
Many professionals have reservations about online learning courses, but new developments are making them an appealing alternative for time- and cash-strapped arts workers, argue Michelle Wright and Ben Walmsley.
The growth of the cultural and creative industries may be strong, but there are still questions regarding productivity and performance among smaller organisations. Nick Henry is optimistic that things will soon change.
Junior arts workers are often the most in touch with audiences, but can struggle to make their voices and ideas heard. Laraine Penson offers some tips for communicating more effectively - and explains why management should listen.