The pandemic had major repercussions for the higher education sector. Dean of Ravensbourne University Andy Rees thinks the subsequ…

Shân Edwards is the founder and director of the Scottish charity Outer Spaces, helping to forge new ways for artists to make work…

Although the pandemic brought better insight, the picture is complicated by the effects of the poly-crisis. The Audience Agency’…

In 2020, ‘Culture is bad for you’ was published. As its second edition is about to be released, one of its authors, Dave O’B…

We are at an inflection point with AI. To help cut through the noise, Substrakt’s Katie Moffat has curated a list of the current…

Watershed’s Clare Reddington is coming to the end of her term as a British Council trustee. While presenting at a conference in In…

A brand-new franchise of South by Southwest is coming to London in June. Crispin Parry thinks participation in the showcase enable…

Figurative is a not-for-profit organisation exploring inventive business and funding models for the cultural and creative sector….

… or live-streamed. Five years after the Covid lockdowns, Jason Jones-Hall argues that the best way to understand, appreciate an…

Oily Cart has over 40 years’ experience creating immersive sensory shows – in-person, responsive and close-up. When the pandemic…

There are lots of new curatorial opportunities coming up in the museum sector, aimed at ensuring a broader range of perspectives,…

Mathew Russell and David Shearing are directors of Havering London. When their bid for London Borough of Culture was unsuccessful,…

Almir Koldzic is director of Counterpoints Arts, an organisation focused on migration and social change. Here he shares the specia…

In the second of this series looking at the challenges of producing dance, ’Funmi Adewole, Rachel Krische and Efrosini Protopapa…

This week, the Leicester Music Conference is back, bringing together artists, industry professionals and music enthusiasts to deba…

As the landscape of research collaboration evolves, NCACE’s Suzie Leighton examines how research can fuel creative activism – wi…

Researcher Susan Oman spent two years embedded within DCMS on a policy fellowship. Here they explain why the resultant digital pol…

It is possible to operate a free-to-access museum without government funding, but it comes with significant challenges, as Trish J…

AI is no longer a future concern – it’s already transforming how arts organisations connect with audiences, create work, and ope…

Despite a world-class museum sector and a complex history of migration, Britain does not have a permanent museum exploring the mov…

Perched on the English Channel, Hastings attracts considerable migration. But, as Dee Haughney shares, the work of a trailblazing…

Leaders of cultural organisations face the constant question of how to allocate limited time and resources effectively. Robin Cant…

A new report on the intersection of creativity and technology – CreaTech – is published this week. Its findings, according to…

What happens to a library’s capacity for creative expression and innovation when knowledge is shared among nine services? asks T…