Arts organisations are increasingly diversifying their sources of income and for some that may require social investment to get an enterprise up and started. Ed Anderton explains the support Access offers.
Fans of touring companies are perfect customers – booking early and often in large groups. Sian Dudley reveals how a receiving venue like Cast in Doncaster works with visiting companies to make the most of ‘fandom’.
While the EBacc may be causing concern for the status of the arts in UK schools, there are opportunities to ensure creativity is at the heart of education in lower-income countries around the world. Joe Hallgarten makes the case.
Many professionals have reservations about online learning courses, but new developments are making them an appealing alternative for time- and cash-strapped arts workers, argue Michelle Wright and Ben Walmsley.
The growth of the cultural and creative industries may be strong, but there are still questions regarding productivity and performance among smaller organisations. Nick Henry is optimistic that things will soon change.