In a time of rising inflation, affordability and accessibility are at the forefront of arts organisations’ minds. David Reece examines whether a Netflix-style subscription could be part of the solution?
As Art Fund launches its new report on ethnic diversity in the curatorial workforce, Rachael Browning says it’s hard to overestimate the challenges entailed in compiling such a report.
We all need to work harder to ensure that culture is fully accessible to disabled audiences. When we do, there are positive spinoffs for everyone, argues Richard Leeming.
What is the point of prizes? What impact – if any - do they have on the organisations that win them? Paul Owens explores these questions in relation to cultural philanthropy.
Leeds Playhouse runs courses for D/deaf and disabled artists wanting to enter the theatre. Rio Matchett shares what they have learned through this access work.
A new report from Oily Cart explores making theatre for and with children who have the most barriers to access. Ellie Griffiths summarises the learning for those seeking to make accessible theatre.
A key goal of UNBOXED: Creativity in the UK has been to support young people entering the creative industries. Here three of them reflect on their involvement in the festival.
A multiple case study is promoting new ways for theatre to make sustainable productions. Roberta Mock and Siobhan Bauer report on three companies putting the Theatre Green Book into practice.
What are the everyday experiences of arts and cultural organisations in generating and diversifying income in times of austerity? Daniel Ashton shares his research findings.
Poor mental health among young people is on the rise. And with it, the broader conversation about how theatre can be a useful tool for dealing with complex emotions, anxiety and stress, as Peter Glanville explains.
Sarah Mair Hughes marks a decade with Cultural & Creative Skills this year, topping off the milestone by winning Social Leader of the Year at the Welsh Women’s Awards. Here she shares the steps on her career path.
Just a few weeks before the COP27 climate talks in Egypt, no one credible needs convincing of the climate crisis, but the energy crisis is what’s keeping people awake, says Alison Tickell.
In his work with the British Council, Skinder Hundal is privileged to meet cultural professionals and creatives from across the globe. Black History Month is an opportunity for him to reflect on the cultural expression of African and indigenous communities.
How can cultural policy support freelance performing artists? It's a question Cecilia Dinardi has been asking in her latest research into the impact of Covid.
As we recover from Covid and navigate the cost-of-living crisis, fundraisers are ever more important. Yet we continue to undervalue the job, says Michelle Wright.
What does it mean to have an artist-in-residence working with the board? Nicola Triscott reflects on an unusual journey revealing the importance of board culture to arts organisations.
Many companies are making brilliant accessible work and universal content that people want to see. But, as Harmeet Chagger-Khan argues, we need a more consistent approach.
The UK’s national celebration of sustainable living - the Festival of Thrift - has celebrated its 10th anniversary with art, music, dancing and tips for thrifty living. Stella Hall shares what it has achieved over the decade.
Safeguarding young people has become a live issue in schools. Scottish Ballet’s Safe to Be Me® programme is tackling the issue head on, as Catherine Cassidy explains.