Out of the Blue has weathered the storm of arts funding cuts in Scotland thanks to its social enterprise model and the support of ethical finance providers. Rob Hoon shares the story.
Following high-profile protests of deals between arts organisations and businesses with controversial track records, ArtsProfessional has launched its latest Pulse survey to examine policy and practice in the cultural sector.
Artists from across Europe describe what it’s like to work in their country of origin – from the almost desperate situation for some freelance artists in Spain to the generous support on offer in Arctic Norway.
Salisbury Playhouse, Salisbury Arts Centre and Salisbury International Arts Festival will be known as Wiltshire Creative and receive an annual £1.3m from Arts Council England.
Creative Scotland may have been short-sighted to cut funding to Scottish Youth Theatre, but something needs to be done about oversubscription to our arts funding streams. Graham Main suggests some radical solutions.
When Marc Steene set up a new art charity, he knew that the key to success would be adopting a business model based on a mix of revenue streams, including an endowment fund and earned income.
Artists, producers and curators must have at least three years’ experience to apply to the new fund, but will not have to secure match funding or deliver public engagement outcomes.
The national funder has announced a root and branch review of its funding processes following public outcry that led to it reversing cuts to five arts organisations.
New research by Arts Council England, produced to inform the Brexit negotiations, has highlighted the negative impact losing funding and free movement could have on the sector.