In recent years the idea of investing for social good as well as for financial return has moved from the periphery to the core of mainstream financial institutions. Wealth managers now report being asked by charitable foundations and high net worth clients to construct portfolios which include investments offering ‘blended returns’, i.e. returns that are social as well as financial. This increasing interest in socially motivated investment holds significant promise of additional financing... more
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Issue 249: Touring the arts , Issue 249: Catering
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Touring the arts, Catering
27 Feb 2012Geoff Burnand and Margaret Bolton explain why the arts sector is of interest to mainstream investors
Also in this feature
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27 Feb 2012
Sean Egan and Paul Jennings demystify the law surrounding internships
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27 Feb 2012
Daniel Topolski sees many parallels between the challenges facing sports coaches and dance leaders
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27 Feb 2012
Jonathan Goodacre reflects on the Arts Marketing Association’s Press and PR Summit, 8 March 2012
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27 Feb 2012
Geoff Burnand and Margaret Bolton explain why the arts sector is of interest to mainstream investors
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27 Feb 2012
Rob Fredrickson explains the challenges the Royal Shakespeare Company faced in bringing its food and beverage operation in house – and the benefits to the Company as a result
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27 Feb 2012
Natalie Wilson outlines a new schools touring strategy based on collaboration
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27 Feb 2012
From aircraft hangers to potting sheds, Eastern Angles has toured to all sorts of unexpected, rural venues. Ivan Cutting tracks the company’s long road to success
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27 Feb 2012
Rachel Escott looks at the benefits of marketing collaborations for touring productions
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27 Feb 2012
A group of programmers and producers based in the South East is developing a more generous, collaborative model for touring theatre. Gavin Stride explains how
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27 Feb 2012
Catering has the potential to provide a healthy income stream and enhance the wider visitor experience, but it needs to be well executed, warns Paul Smith
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27 Feb 2012
Esther Ferry-Kennington calls for a more strategic approach to audience data collection and interpretation
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27 Feb 2012
Jane Donald and Sam Stone explain how the RSNO is meeting the challenge of understanding its geographically disparate audience base
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27 Feb 2012
Kate Hall describes the maxims that get her through the challenges of site-specific theatre
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27 Feb 2012
Arts Council England is making a new funding commitment to touring: Jodi Myers is hoping that this will deliver what the sector really needs
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27 Feb 2012
Hayward Touring takes work by hot contemporary artists into the UK’s cultural ‘cold spots’. Roger Malbert explains what goes on behind the scenes