Harmeet Chagger-Khan leads on innovation, and immersive and interactive projects at The Space. Here she explores how artists are using AI and why transparency and media literacy are vital to ensure it is accessible to all.
Can arts organisations reach new audiences through strategies like digital capture? Recent successes offer insights into the potential of a creative and inclusive approach, write Fiona Morris and Sarah Butcher.
If we can find a shared language and inclusive approach to evaluating digital arts and culture, we can tell a better story about the difference it’s making, write Rosanna Chianta and John White.
With digital technologies developing at pace, freelancers need to develop their skills throughout their careers. Rob Lindsay outlines the support The Space provides to freelancers across the sector.
Catherine Allen’s expertise spans augmented and virtual reality, including the development of the immersive sector. Here, she outlines how the arts have always been and continue to be crucial to the development of emergent technology.
Digitising collections is an ongoing challenge for museums, as evidenced in the latest National Museum Partnership report. Fiona Morris and Charlotte Morgan discuss the potential of cross-cultural and technical partnerships as a solution.
Linda Cockburn shares how bringing digital culture into Coventry’s libraries is building communities and helping to bridge a digital divide.
In April, The Space will formally join ACE’s National Portfolio as an IPSO (or Investment Principles Support Organisation). Fiona Morris explains what this will mean for the organisation over the next three years.
Many organisations are feeling overwhelmed at the huge range of available digital opportunties. Rob Lindsay explores how mentoring can provide support to those in need of building digital confidence.
Many companies are making brilliant accessible work and universal content that people want to see. But, as Harmeet Chagger-Khan argues, we need a more consistent approach.