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The pandemic has forced cultural organisations to develop their digital infrastructure and programming. But, as Zosia Poulter argues, the role of content is still not sufficiently recognised.
The shift to digital has been beneficial to many, but Ash Mann is particularly interested in what it could mean for D/deaf, disabled and neurodivergent people.
The greater success of some arts organisations boils down to a few key ingredients. Money isn’t one of them, writes Ash Mann.