Why would a theatre want the hassle and financial risk of producing its own productions rather than just presenting touring shows? John Baker explains why – and how – the Marlowe Theatre is doing both.
New research investigating the connections between subsidised and commercial theatre finds a symbiotic relationship with public funding at the heart of its success.
Revenues are growing, and staff and customers are happier since Regent’s Park Open Air Theatre moved its box office to a cloud-based system, reports Libby Penn.
Portsmouth boy turned director Ian Nicholson trained at CSSD, NT Studio and Ecole Philippe Gaulier in clown – but what would he tell himself if he could do it all again?
More theatre goers enjoyed a greater choice of productions in 2014, according to the first comprehensive analysis of sales data from UK Theatre venues.
You might know what a development associate’s job description includes, but what does a week in their life actually look like? Michaela Nutt reveals all.
The playwright behind ‘McQueen’, James Phillips, shares his advice to the younger generation, from gambling to remembering that it’s only rock ‘n’ roll.
Live and recorded screenings have the potential to develop and serve new audiences for small-scale theatre companies, as well as generate income, report concludes.
When Jim Mulligan joined Spare Tyre's workshops for older people, little did he know that he would go on to write four plays for the company and become a trustee.
