Do potential donors really understand the value of small-scale touring theatre? Joanna Ridout considers how the sector might better articulate its value.
Budget cuts, the introduction of the EBacc and mass academisation of schools has created a “perfect storm” for theatre companies working with young people, sector figures warn.
Digital technologies offer the arts the opportunity, not only to improve access, but to enhance the experience of all audience members. Paul Glinkowski highlights some projects that are doing just that.
Are female theatre directors in the UK successful because they followed the linear, patriarchal route – or did they do it their own way, asks Amy Golding.
What are the ‘choke points’ preventing culturally diverse artists from succeeding and should we stop talking about ‘diversity’? These issues and more were discussed at nitroBEAT’s ‘D’ Word event. Diane Morgan summarises.
Fifteen members of the public invited to take part in the rehearsal of a playlet will be actively involved in the direction, choreography and lighting. Emma Smith discusses what she hopes it will achieve.
Sean Egan believes the new Theatre Tax Relief signals a shift away from government support for the subsidised sector in favour of the commercial sector, and will cement a London-centric focus.
