The University of Bradford may be a technology university with no arts department, but it still saw the need for a theatre on its campus. Javaad Alipoor explains why.
Recently appointed Artistic Director Emma Rice is to end her tenure in 2018, as board and management reject her use of contemporary sound and lighting technology.
Theatre has seen a rise in income over the past four years, although the increases are concentrated in the hands of large organisations, a major new report has found.
Royal & Derngate has put forward proposals for a new free school that will specialise in the cultural and creative industries – the first to be run by a theatre.
An action research programme aims to find more and better solutions to the problem of juggling family commitments with a career in the performing arts.
Red Ladder’s #GisATenner campaign appealed to the company’s Twitter followers to donate as little as £10 to help save the company following funding cuts. Chris Lloyd reveals what happened next.
The theatre’s business model bears fruit, as a local tech company signs a rental agreement that will deliver an ongoing revenue stream for its artistic and education work.
After two years observing leadership styles across the Ambassador Theatre Group, graduate trainees Rachel Lane and Jamie Budgett discuss their vision of a good leader.
Executive Producer at The Roundhouse, Co-Director of World Stages London and co-founder of What Next?, Nicola Thorold has died of cancer shortly after receiving an OBE for services to the arts.
