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An interactive guide to Kettle’s Yard’s collection is engaging a wide audience online. Lucy Wheeler shares what she had learned from the project.
How can the arts sector unlock the power of big data? Jason Jones-Hall suggests we learn from the work of Florence Nightingale, not always known as a brilliant statistician.
Providing opportunities to volunteer online is helping Birmingham’s museums to engage with more and more people. Rebecca Fletcher explains how they do it.
Technology is offering new ways for arts organisations to market their work and engage with audiences. Sofia Carobbio reveals some of the most effective.
The recent explosion in digital creativity has thrust the arts into the worlds of climate science and wind forecasting, cyberfeminism and many more surprising places, says Tom Higham.
Following on from the Digital R&D Fund for the Arts, nine arts organisations will be supported to develop their products and services to the ‘investment ready’ stage.
Festival management expert Dr. Louise Platt isn’t afraid of posting a dog pic or two – and you shouldn't be either.
Rachel Grunwald flinches every times she hears someone – including herself – use terms such as ‘cultural offer’, ‘digital’ or ‘diversity’. Is it time to rethink the language we use?
Tech and data-savvy millennials are ideal employees for arts organisations, but how can we make the sector attractive enough to recruit them, asks Libby Penn.
Research into an app that encourages students to attend classical music has elicited some unwelcome responses, reveals Garry Crawford.
What will the next 12 months bring for the arts and cultural sector? The Audience Agency team share their predictions for what lies ahead.
A new website is sharing the experiences of an EU-wide project to make contemporary music accessible to wider audiences.
Opportunities for schools to connect with cultural organisations in the capital will be shared through a new online platform aiming to improve communication between the two.
Sales of CDs and vinyl may not be suffering as much as some predicted as the popularity of online streaming continues to rise, new figures suggest.
Anna Frew has spent a year exploring the potential uses for drone technology in the arts. She tells us what she has discovered.
Arts organisations are continuing to embrace digital technology, but not all at the same rate and a cautious approach is emerging, according to a recent survey.
The arts sector still has enthusiasm for digital technology but some are now taking a more cautious approach, according to a recent survey. Sam Mitchell discusses the findings.
The arts sector is not adopting mobile technology fast enough, says Tim Plyming, who sees it being used not just to sell tickets but to enhance the visitor experience.
In 2013 Drew Hemment got the call – the Singapore government wanted his help staging an arts and technology festival. He explains what happened next.
New online resources aim to streamline tour booking for theatre companies and help venues widen their programming.