Digital

The Arts and Humanities Research Council (AHRC) has launched a UK-wide network of creative technology labs to provide researchers and companies with innovative facilities to develop screen and performance technology.

Established with £75.6m of AHRC funding, the CoSTAR national network comprises a National Lab, three Network Labs and a Foresight Lab.

The National Lab is led by Royal Holloway University of London with partners including Pinewood Studios and the National Film and Television School. It will contain a dedicated stage and studio space, with a motion capture rig and a creative artificial intelligence computer facility accessible across the UK. 

Led by Goldsmiths, University of London with partners including BFI and the Creative Policy and Evidence Centre, the Foresight Lab will collect and analyse data to better understand the impacts of emerging technologies.

The three Network labs are: Screen Lab, led by Ulster University, with BBC Northern Ireland; Realtime Lab,  focusing on video games development and led by Abertay University; and Live Lab, led by the University of York with Opera North, which will develop technologies for live performance.

“The way we experience live performances will be completely transformed over the next decade”, said Professor Helena Daffern, Live Lab Co-Director and Professor of Music Science at the University of York.

“Imagine a live concert of your favourite artists where every member of the audience can shape their own unique audio-visual experience. You’ll have the ability to engage with every aspect of a production wherever you are, be it in the arena or the comfort of your own living room.”

“The Live Lab is poised to be at the forefront of innovation for live events,” added Professor Gavin Kearney, Lab Director and Professor of Audio Engineering at the University of York.

“We’re combining York’s research expertise with industry, public and third-sector partners who are all dedicated to innovation in live performance.”

PRS for Music is extending its partnership with cloud computing service Oracle.

The music royalty distributor has moved its royalty payment database to Oracle Exadata Database Service on Oracle Cloud Infrastructure (OCI), which it says has accelerated payments to its 165,000 members.

PRS for Music is the first collecting society in the world to have migrated its data processing systems to OCI. It attributes the move as “instrumental” in hitting a record-breaking £836m of royalties in 2022.

In the third quarter of 2023, PRS for Music broke its quarterly payout record, distributing £239m.

The society has previously promised to be distributing more than £1bn in royalities annually by 2026.

“Working with Oracle to migrate our distribution systems to the cloud was a seismic shift in infrastructure for PRS for Music, and a landmark moment in our industry,” said Mark Krajewski, Managing Director, Strategic Alliances and Chief Information Officer of PRS for Music.

“Exadata Database Service on OCI has been a catalyst for our ambitious data strategy, and with cutting-edge technologies in place we can continue to pioneer new activities to define the future of music royalty management. 

“We have more control over our data than ever before, allowing for better data-driven decision making and greater speed, transparency, and accuracy in royalty distributions.”

The British Museum has announced plans to digitise its collection in response to the stolen artefacts scandal that has embroiled the institution.

A five-year plan to digitise the museum’s collection and make it available online will help “improve security”, according to the museum's Interim Director, Sir Mark Jones.

Appearing before the Culture, Media and Sport Select Committee on Wednesday (18 October) he said:  “It is my belief that the single most important response to the thefts is to increase access because the better a collection is known - and the more it is used - the sooner any absences are noticed.

"So that's why, rather than locking the collection away, we want to make it the most enjoyed, used and seen in the world.”

The process of digitising the collection is already underway and involves the uploading or upgrading of 2.4 million records. 

The British Museum’s Chair of Trustees, George Osborne, said the organisation had been “victims of an inside job” when around 2,000 items from its collection were revealed to be missing in August, leading to the dismissal of a Senior Curator. 

“There are lots of lessons to be learnt," said Osbourne. "We have changed our whistleblowing code, changed our policy on thefts... tightened up security on thefts." 

The museum has also announced plans for enhanced access to study rooms, where members of the public and academics can view items from the collection by appointment.

Osbourne revealed that the museum will acknowledge the thefts in an exhibit of the missing items, 350 of which have been recovered so far.