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From London 2012 to Hull 2017, digital specialist David Watson tells us about his career so far.
Do you like free beer and free speech? Open source software may be for you. John Birchall highlights the benefits and points out the pitfalls.
There’s a reason 19 million people have watched a video of Grumpy Cat, and arts organisations can learn a lot from it, says Oonagh Murphy.
Meet your customers’ expectations of mobile responsiveness and you will be rewarded with loyalty. David Wright profiles two arts organisations that are getting it right.
Online and mobile ticketing is the new normal. But the frustrations of ticket buyers – and box office staff – must be taken seriously if it is to be done well, says Ben Curthoys.
Artists in the caves and bogs of the Brecon Beacons National Park are to receive support to distribute their work as part of a new innovation fund for digital projects in Wales.
A new commissioning round focuses on access and diversity in a bid to address issues raised in the White Paper and Warwick Commission report.
A new box office system has built a stronger link between London’s Dominion Theatre and its ticket agents, who can now sell directly from the live inventory. Libby Penn reports.
An interactive light and sound installation recently connected neighbours in a former coal mining area. Debbi Lander explains how.
An interactive guide to Kettle’s Yard’s collection is engaging a wide audience online. Lucy Wheeler shares what she had learned from the project.
How can the arts sector unlock the power of big data? Jason Jones-Hall suggests we learn from the work of Florence Nightingale, not always known as a brilliant statistician.
Providing opportunities to volunteer online is helping Birmingham’s museums to engage with more and more people. Rebecca Fletcher explains how they do it.
Technology is offering new ways for arts organisations to market their work and engage with audiences. Sofia Carobbio reveals some of the most effective.
The recent explosion in digital creativity has thrust the arts into the worlds of climate science and wind forecasting, cyberfeminism and many more surprising places, says Tom Higham.
Following on from the Digital R&D Fund for the Arts, nine arts organisations will be supported to develop their products and services to the ‘investment ready’ stage.
Festival management expert Dr. Louise Platt isn’t afraid of posting a dog pic or two – and you shouldn't be either.
Rachel Grunwald flinches every times she hears someone – including herself – use terms such as ‘cultural offer’, ‘digital’ or ‘diversity’. Is it time to rethink the language we use?
Tech and data-savvy millennials are ideal employees for arts organisations, but how can we make the sector attractive enough to recruit them, asks Libby Penn.
Research into an app that encourages students to attend classical music has elicited some unwelcome responses, reveals Garry Crawford.
What will the next 12 months bring for the arts and cultural sector? The Audience Agency team share their predictions for what lies ahead.