The Contact Young Curators programme gave Wez Thistlethwaite the opportunity to re-engage his creative muscles by co-curating a world premiere at this year’s Manchester International Festival.
An LSE researcher said children’s development is being thwarted by Government policy, but argued the situation could be improved if recent welfare cuts were reversed.
As the Commission gets ready to publish its recommendations on creativity and education, Joe Hallgarten puts forward four ideas he'd like to see included.
The UK Statistics Authority has called for greater clarity in the way the Department presents statistics, after investigating concerns raised by ArtsProfessional and others.
Many young people dream about breaking into the performing arts industry, but without some work experience it can be almost impossible. Ruby Clarkson offers some guidance on how to find it.
Early figures suggest that the trend away from studying some arts subjects at GCSE may be bottoming out, but A level entries continue to fall away across all disciplines.
Many entry-level roles in the arts are taken by overqualified graduates, but a project in Wales is opening up opportunities to those most suited to them, says Sarah Mair Hughes.
A new report demands a “clear explanation” from DCMS and the Department for Education on why they have dismissed evidence about the declining provision and take-up of creative subjects.
A programme in Stockton-on-Tees has helped young people excluded from mainstream schools learn new skills, develop self-worth and show others what they can achieve, writes Rachele Rapisardi.
Frustrated with the decline of arts and creative subjects in schools, Nick Corston gave up his day job to form a not-for-profit enterprise that connects children with art in their community.
An Action for Children’s Arts study recommends that every child at primary school should have five quality arts experiences in the school year. Chris Jarvis explains how the Arts Backpack project is working to make this a reality.
Anne Torreggiani explains why participating in an EU-funded Erasmus programme has prompted her to re-evaluate the ability of interns to act as a source of new ideas and fresh thinking.
As composition becomes increasingly sidelined in school music, Natalie Watson discusses a mentoring scheme providing professional support to promising students.
