Think the elusive artist has automatic rights to their famous murals? It’s a bit more complicated than that. Jack Martin and Kate Johnson break it down.
What does it mean to be Black in the arts industry today? Marking the one-year anniversary of the death of George Floyd, Gabrielle Brooks shares why she founded BlackStage UK.
As Covid-19 has pushed culture online, Danielle Child, Karen Gray, Harry Weeks and John Wright examine how arts and cultural organisations have attempted to make the digital more social.
With long experience of working in Europe, Phillip Parr reminds us that, even in a post-Brexit world, there are still plenty of opportunities for artists. You just need to know where to look.
Sophie Handy shares her experience of a civic arts programme with a genuine grassroots approach to local development in the hands of community organisations, local movers and makers, doers and growers.
Together for Museums harnessed the collective efforts of members, artists, donors and the public to come to the aid of the sector, writes Elinor Trigg.
With under a month to go for art businesses and artists to register with HMRC, Mary-Alice Stack explores how the sector is responding to the need for increased regulation.
Can artists make a positive contribution to alleviate the threat of biodiversity decline? Misha Curson shares a project which is aiming to do just that.
Rural touring has never been more innovative than it was in 2020. Holly Lombardo asks what comes next for a sector that fulfils exactly what funders are asking for?
After a lifetime spent working in the arts across the world, Judith Knight considers the dilemma of meeting the demands of the climate emergency while retaining international collaborations.
Organisations talk a big game about preventing climate change but what are they doing? Bridget McKenzie shares her experience of testing the way culture takes action.
Two years ago a group of artists and environmental activists launched Culture Declares Emergency. Lucy Neal and Kay Michael tell the story of the movement’s foundation and the momentum it has gathered since then.
Poet and climate writer, Linda France shares how she is creating spaces for connection, discussion and personal reflection, encouraging us to respond to the climate emergency and see ourselves as part of the solution.
Music educators often lack the confidence and energy to engage with academic research. Encouraging them to do so may be the way to address the disconnect between the two worlds, argues Dr Steven Berryman.
Moving an orchestra into a school sparked a creative collaboration that can be replicated to benefit students elsewhere, write Anna Bennett and Adrian Bending.
Stage side seats have historically been free to cheap, so why are we rushing to return to restricted view seating? Fiona English makes the case for continuing digital access.
Hannah Hartley says the outdoor arts industry’s long-held resilience and versatility has given them the tools to overcome nearly anything, just when it’s needed the most.
