Philanthropy is sometimes described as a ‘privilege’ of the wealthiest. But, as Michelle Wright argues, research suggests that giving circles can provide a meaningful and empowering experience at all levels.
While collaboration between the cultural sector and universities has never been more fruitful, Suzie Leighton and Kayla Rose know there are still significant barriers to overcome.
A group of artists from Deaf, disabled and neurodiverse communities have been working on a project to transform accessibility. Nickie Miles-Wildin reports on its successes.
The shift to digital has been beneficial to many, but Ash Mann is particularly interested in what it could mean for D/deaf, disabled and neurodivergent people.
Lockdowns, venue closures, cancelled and postponed events – the era of Coronavirus has created an 18-month crevasse in our databases. Libby Papakyriacou has been assessing the role of historic data in the sector’s recovery.
Being disabled in the visual arts sector has presented galleries with serious challenges. But Mike Layward is optimistic about programmes which promote much needed change.
Issues of access have beleaguered artists and audiences alike. Jamie Wyld explores how access streams can be used in innovative ways to enhance both artist and audience experience.
All cultural organisations are concerned with making their work more accessible. A new report by Maria Varvarigou on sensory and inclusive theatre for disabled children and young people provides a model for doing just that.
It’s been over a year since Arts Council England published its 10-year strategy, Let’s Create. Bethany Rex has been investigating how the strategy might translate into action.
The self employed, including freelancers, make up almost a third of the creative industries workforce - double the rate across the UK more broadly. So why, asks Nick Henry and Mary-Alice Stack, is their role and contribution so poorly understood?
In rural areas such as Cornwall, the pandemic has exacerbated loneliness, with vulnerable people losing their sense of community. Emmie Kell thinks museums can be part of the solution.
Building on Culture Reset, Richard Watts shares a range of new initiatives aimed at supporting the cultural sector to change and develop to meet the urgent demands for inclusion, improved governance and more dispersed models of leadership.
The last 18 months have seen arts fundraisers face numerous challenges in trying to bring in income when the sector has been in such flux, says Michelle Wright.
Brighton Dome has been participating in 5G Festival trials to test new technology that could revolutionise the festival experience. Donna Close shares the findings.
The museum and heritage sector has always been collaborative. But, says Carolyn Young, the need for supporting each other to build resilience is now greater than ever.
It's widely agreed that arts and creativity can boost mental health and wellbeing. But less well known is the positive effect that writing can have, says Christina Bunce.
How can we build a fairer cultural sector that works for artists, organisations, and communities? Mark Robinson explores some tactics for the tightrope act of shared culture.
Creative skills don’t just benefit the creative industries; they bring huge value to other sectors including business, health and engineering. Professor Steven Spier has the evidence.
A new programme aimed at engaging 18-to-25 year olds with museums and galleries hands over control of the creative direction to the young people themselves. Sophie Alonso explains.
