Rachel Grunwald flinches every times she hears someone – including herself – use terms such as ‘cultural offer’, ‘digital’ or ‘diversity’. Is it time to rethink the language we use?
Tech and data-savvy millennials are ideal employees for arts organisations, but how can we make the sector attractive enough to recruit them, asks Libby Penn.
Opportunities for schools to connect with cultural organisations in the capital will be shared through a new online platform aiming to improve communication between the two.
Arts organisations are continuing to embrace digital technology, but not all at the same rate and a cautious approach is emerging, according to a recent survey.
The arts sector still has enthusiasm for digital technology but some are now taking a more cautious approach, according to a recent survey. Sam Mitchell discusses the findings.
The arts sector is not adopting mobile technology fast enough, says Tim Plyming, who sees it being used not just to sell tickets but to enhance the visitor experience.
Around 40,000 historic instruments, including the world’s only octave contrabass serpent, are to be made publicly available via the Royal College of Music’s new online database.
Should the arts stop using the term ‘digital’? Is it ready to? Anna Dinnen looks at recent Digital R&D Fund projects and surveys to answer the question.
Struggling with a growing library of video files, London Symphony Orchestra urgently needed a new system. Chris Rogers explains why a web-based solution was ideal.
Live and recorded screenings have the potential to develop and serve new audiences for small-scale theatre companies, as well as generate income, report concludes.
A publicly accessible website will be home to digitised contemporary art in a major research and archiving project that will explore how cultural heritage in the visual arts can be safeguarded for future generations.
