As one of the oldest cultural networks in Europe, the European Festivals Association’s mission has always been centred around artistic quality and long-term impact, says Kathrin Deventer.
Insight from ‘big data’ reveals conclusively that arts attenders who book at multiple venues are more likely to be repeat attenders than those who book tickets at one venue only. But there’s a lot more besides, as Hannah Mitchell explains.
With Tech City dwindling in the rearview mirror, Toks Majek-Akisanya sets his SatNav for a 'Non Tech City' where the action is centred around the creative industries.
The Sing with Us network of choirs brings together cancer patients and their families from across Wales. Rosie Dow describes her role as manager of the choir leaders.
Artists and scientists are to explore the subject of rest in a residency at The Hub at Wellcome Collection. James Wilkes explains the role of the arts in the investigation.
Julie’s Bicycle and BOP Consulting have conducted a survey on leadership and environmental sustainability. Alison Tickell summarises the findings and plans the next steps.
A huge vocal work is premiered this weekend in Birmingham, followed by performances in Berlin and London. Stephen Newbould describes how it has come together.
With fundraising in the UK currently suffering from an image problem, how can we find the next generation of top arts fundraisers? Michelle Wright makes some suggestions.
A ‘big data’ perspective reveals that a quarter of so-called ‘new attenders’ aren’t new to the arts at all, and frequent attenders are exploiting ticket discounts aimed at engaging new customers. Stuart Nicolle and Hannah Mitchell explain what’s going on.
UK membership of the European Union gives cultural organisations access to a wide variety of funds and initiatives. Why are we not bothered? Asks Julie Ward.
