A breakthrough in the way that arts in health programmes are developed and researched is set to transport arts activity into the health research mainstream. Tim Joss explains the power of the new AESOP 1 framework.
Roanne Dods explains why the working practices of small-scale enterprises run by artists and creatives provide a model that is increasingly relevant in developed economies following the 2008 financial crash.
Financial accounting changes are rare but a new financial reporting standard is to be introduced next year. Mahmood Reza explains what FRS102 will mean for many arts organisations.
A shared set of values to assess quality and outcomes needs to replace providing evidence of clinical effectiveness for arts interventions, believes Jane Willis.
Can our theatres be considered as ‘community theatres’ and be listed as Assets of Community Value? Mhora Samuel discusses the significance of this question.
How does a tiny Georgian theatre survive in a working class town? Esther Harris talks to Richard Stride, owner of the Groundlings Theatre in Old Portsmouth.
Richard Clay reports on a cross-sector, digital technology project, bringing together academics, cultural organisations and small or medium-sized companies.
As a performer, songwriter or producer are you receiving the royalties due to you? Keith Harris reports on the millions PPL collects from the licensing of recorded music in the UK and overseas.
Kate Reynolds describes a multi-arts project for young people with autism spectrum disorder that has gone off the beaten track and now includes others without the condition.
